This pack include: Baboon VST v1.0 RC1 (200TH RELEASE), Brass Buster VST v1.2, Companero Fuzz VST v1.2, D-Plus & D-380 VST v1.0 RC1, EZ-Driver VST v1.2, Kung Fuzz VST v1.2, Lamp Driver VST v1.0.RC1, Muffin Rider VST v1.2, RectiFuzz VST v1.2, Sentor VST v1.0 RC1, The Bat VST v1.0 RC1.
Elevate your vocal productions most unique plug-in experience for vocals. Quickly get old-school sounds you need, or create a new school of vocal sounds. Get lost in layers, textures, effects, blending, and morphing in an experimental vocal playground, and finally find that secret something that makes your vocals stand out. Choose and meld five unique vocal tools, or pick from hundreds of presets for quick impact.
Achieve authentic vintage vibes “in-the-box” with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.
Ambisone allows you to mix your audio tracks in full 3D stereo. This includes placing sound sources outside or above the speakers to provide your mix with a previously unthinkable width and depth. Prosoniq’s unique Virtual Scenery Modelling approach is different to the methods found elsewhere: it not only allows for 3D placement when monitoring the mix through a loudspeaker setup but also retains the three-dimensional sound image when listening through headphones. Useful modulation sources are included to automate 3D placement allowing for sound sources that rotate around your head on a single mouse click. The user interface lets you adjust the different parameters while monitoring both position and elevation in real time. Distance and elevation parameters allow for placing the source farther away from or above your listening position.
SoloRack is a modular synthesizer that mimics the usability and functionality of hardware Eurorack modular systems, without imposing restrictions on the sound. Both analog modeled/emulated or pure digital modules are possible. Even experienced Eurorack users will find something new within almost all modules available while keeping familiarity and similarity to Eurorack intact for ease of use and seamless integration into Eurorack systems.
ENCHOIR XT is the new and overworked version of the original ENCHOIR, developed back in 2006 ENCHOIR XT has crystal-clear 48 bands vocoder. a powerful phrase-recording engine as well as a simple a stunning sound!
ToStereo is a simple mono to stereo audio signal converter. It helping you to breathe new life into your digital audios mono, flat and dull. You can fine-tune the stereo width.
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.
Reed200 is our second spectral modeled instrument. We can say it’s all that we dreamed about. Clean and responsive timbre made out of the real Wurlitzer. Stacking up to 600 pure sinewaves, we achieved a perfect and accurate timbre reproducing the sound that a Wurli generates on the line output (Also we included a cabinet and drive emulator). As in our Markus 88, we did most of the jobs manually. Despite the deep spectrum analysis we used to decode the timbre DNA, we focused on recreating the real feel of pushing down a key in a real Wurlitzer.
The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing.
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