CS5501 v1.2.0 WiN MAC

Team R2R | 04 Oct 2019 | WiN: 15.8 MB | MAC: 16.05 MB

PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

CS-5501 is a multi functional channel strip providing all necessary tools to process all kind of audio signals like vocals and instruments. CS-5501 is the successor of the very popular CS-3301. It keeps the smooth sound of CS-3301 and provides much more flexibility in all tracking and mixing situations.

dpMeterXT v1.3.6 WiN MAC

Team R2R | 04.10.2019 | WiN: 5.4 MB | MAC: 5.84 MB

PLATFORM : WiN/MAC 32/64 – AU/STANDALONE/VST/VST3/RTAS/AAX(PATCHED)

dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from magesy download 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).

dEQ6 v2.1.6 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.7 MB | MAC: 3.04 MB

PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

dEQ6, a 6 band stereo/MS dynamic equalizer with high quality oversampling and accurate spectrum analyzer.

DynaRide v1.1.6 WiN MAC

Team R2R | 04.10.2019 | WiN: 4.7 MB | MAC: 3.93 MB

(Win32/64; AAX*, RTAS, VST3, VST)

DynaRide is an advanced gain rider plug-in with multiple detector programs and switchable pre-delay. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass.

Euphonia 2 v2.0.5 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.9 MB | MAC: 3.20 MB

PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX*

Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve a well balanced audio spectrum in an effective manner is not easy to master! This is where Euphonia 2 starts: Euphonia 2 is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. These few standard curves have the advantage that they work very well with the majority of audio devices. Using Euphonia 2 right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.

FinalLoud v2.0.3 WiN MAC

Team R2R | 04.10.2019 | WiN: 3.5 MB | MAC: 2.88 MB

(WiN/MAC 32/64; AU, AAX*, RTAS, VST3, VST)

FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

Addictive Drums 2 v2.1.9 Complete WiN MAC

Team R2R | 06.10.2019 | 9.21 GB

PLATFORMS: WiN32/64 – VSTi/AAX(MODiFiED) | MacOSX – AU/VSTi

Addictive Drums 2: Complete Collection is for professionals that want the total package. This package takes the guess work out of AD2 and gives you all the amazing drum kits, all the professionally played MIDI content, all the specialty kit piece expansions, and every single preset. If you want it all, this is for you.

ResonHeart v1.0.0 WiN MAC

Team R2R | Oct 05 2019 | WiN: 31 MB | OSX: 28 MB

…::: Mechanical Synthesizer :::…

PLATFORMS: WiN32/64 – VSTi/VST3 | MacOSX – AU/VSTi/VST3

ResonHeart is the physical modeling simulation of a never seen before, experimental, aerophone-based acoustic instrument. Characterized by a complex modal-based architecture, this original machine has expressly been built to mimic the sound of different families of acoustic instruments – like winds, membranes, chromatic percussions, ethnic lutes and whistles, glasses, cymbals and crashes, vocal ensembles and choirs, or even an entire orchestral strings section – as well as to produce very unconventional, organic tones, evolving textures and expressive motion pads.