TB All Plugins Bundle v1.8.9 WiN MAC

Team R2R | 02 December 2024 | WiN: 67.6MB | MAC: 384.5MB

& Legacy Plugins v1.5.0

Scientifically sound: Our audio plugins are based on more than a decade of scientific research and product development in the areas of digital signal processing and auditory perception. Simply advanced: We combine advanced signal processing techniques and highly-optimized cross-platform implementations with simple-to-use interfaces to optimize your workflow. Value for money: We strive for both affordability as well as quality rather than settling for compromises and trade-offs, introducing professional-grade products to a broad range of users.

SoloRack v2.21 VSTi WiN

Team R2R | 02 December 2024 | 134 MB

(Win32/64; CLAP,VSTi)

SoloRack is a modular synthesizer that mimics the usability and functionality of hardware Eurorack modular systems, without imposing restrictions on the sound. Both analog modeled/emulated or pure digital modules are possible. Even experienced Eurorack users will find something new within almost all modules available while keeping familiarity and similarity to Eurorack intact for ease of use and seamless integration into Eurorack systems.

Eternal Arps v1.0.2 WiN

Team R2R | 02 December 2024 | 346.4MB

PLATFORM: STANDLONE/VSTi/VST3/AAX

Next-Gen Instrument That Brings Arpeggios To Life

Say goodbye to robotic, repetitive arpeggios – Inspired by real performances, Eternal Arps is a next-gen arpeggiator instrument that produces human-like arpeggios by transforming your MIDI input into musical patterns, breaking free from the robotic limitations of traditional arpeggiators

APU Loudness Compressor v3.1.0 WiN MAC

Team R2R | 02 December 2024  | 73 MB

The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical compressors operate using only RMS and/or Peak units of measurement. But technology has come a long way since then and we’re overdue for an upgrade.. This compressor uses modern industry standard LUFS units of measurement to provide a far more transparent response which is connected to the way humans actually experience loudness. The entire signal flow of the compressor operates within this more precise understanding of loudness. The plug-in user interface provides a more flexible alternative to traditional threshold-and-ratio style of compressor controls. Instead, source and target ranges of loudness can be configured and the compressor will either compress or expand as needed.

ACG v1.0.0 WiN

Team R2R | 02 December 2024 | 6.07GB

..:: STANDALONE, AAX, VSTi, VST3, x64 ::..

(ACG) is sampled on a Shennong-shape Guqin with 12 GB samples, including Head, Body, and Auxiliary group articulations, FX sounds, as well as a select collection of improvised licks. its tone is classical and rich.  To realize the features of a 7-string Riffer, every single string on the Guqin has been completely sampled.

Virta v1.9.x WiN MAC

Team R2R | 24 December 2024 | WiN: 5.1MB | MAC: 10.1MB

Virta is a patchable toolbox for turning your voice or other instrument into wild new synth sounds. Virta turns voices and instruments into all kinds of wild synth sounds. By combining a low-latency sound analysis module with high-quality synthesis modules in a patchable package, Virta brings something truly new to the world of software synthesizers.

Sumu v1.0.0 WiN MAC

Team R2R | 24 December 2024 | WiN: 87.4MB | MAC: 96.8MB

Sumu breaks completely new ground in software synthesis, combining additive resynthesis with FM and vector field spatialization. Its collection of ten modules, designed around a unique multi-channel patcher, offer musical possibilities not found in any other instrument. In Sumu, sampled sounds are represented as collections of up to 64 bandwidth-enhanced partials, each with a frequency, volume, and noisiness that can change over time. This representation of sound makes all kinds of creative changes possible, from natural-sounding time stretching to exotic timbral manipulations. Using the central multi-channel patcher, each partial in a sound can be manipulated independently in a way that feels more like playing than programming. Pick a few harmonics and frequency-modulate them? No problem. Delay each partial according to its frequency? Sure. Sumu enables precise and careful changes in space and time, or wild chaotic ones. Take a sample, choose a few partials, and place them somewhere else in the sound field. Or explode everything and stir it into a whirlwind of doppler shifted chorus as each partial zooms around on its own path.