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Magesy® R-Evolution™

  • WOK CromFX v1.0 Vintage Effects VST x86 WiN-ST3RE0
    22 May 2020
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    WOK CromFX v1.0 Vintage Effects VST x86 WiN-ST3RE0

    CromFX v1.0 WiN

    ST3RE0 | 10 NOVEMBER 2010 | 4.72 MB

    Vintage Effects

    The effect section of Cromina String Machine as separate plugin with enhanced options. Select from magesy download 4 different chorus types (modeled after vintage circuits), 3 phaser models and 2 delays! CromFX is the perfect addon for our string machine, but can of course add brightness and warmth to any sound source. In the chorus section you will find the lush and warm chorus of Cromina plus 3 more variations, modeled after famous designs from magesy download Korg™ and Roland™.

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  • WOK BFS-1 Frequency Shifter v1.0 VST WiN x86-ST3RE0
    22 May 2020
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    WOK BFS-1 Frequency Shifter v1.0 VST WiN x86-ST3RE0

    BFS-1 Frequency Shifter v1.0 WiN

    TEAM ST3RE0 | 10 NOVEMBER 2010 | 26.6 MB

    The BFS-1 is a VST emulation of the famous Bode frequency shifter.

    The original unit was available as an expensive module for the Moog™ modular system. The frequency shifter is not a pitch shifter, which changes frequencies by a multiplikation. Instead it shifts all frequencies/harmonics by adding a fixed amount. The sound reminds to a ring modulator, but unlike this, it is possible to get the upshifted and downshifted signal seperately. Unlike a ring modulator, the frequency shifter is also capable of changing the signal by a low amount, e.g. 1 Hz, to obtain effects known as “Barberpole flanging”.This plugin has some additional features like delays for each section, an LFO (all host synced), an envelope with MIDI trigger and an envelope follower to modulate shift and/or volume. Included is a version with a smaller GUI for laptops and an extra version with 2x oversampling.

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    4807 Views
  • Code Operator Delay Pack v1.1 VST x86 WiN-H2O
    22 May 2020
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    Code Operator Delay Pack v1.1 VST x86 WiN-H2O

    Code Operator Delay Pack v1.1 WiN

    Team H2O | 10-06-2005 | 8 MB

    DelayPack from magesy download developer CodeOperator is a package with very useful VST delay plugins for Windows.

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    1159 Views
  • God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE
    22 May 2020
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    God Mode v1.0.1 WiN MAC RETAiL-SYNTHiC4TE

    God Mode v1.0.1 WiN MAC

    SYNTHiC4TE | May 22 2020 | WiN 4.7 MB | OSX 14.7 MB

    VST, VST3, AU, AAX, x64

    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

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    1951 Views
  • Audio Plugin Player v1.3.1 AU VST MAS MAC-HCiSO
    22 May 2020
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    Audio Plugin Player v1.3.1 MAC

    HCiSO | 22 September 2019 | 20 MB

    …::: AU VST MAS :::…

    Audio Plugin Player is a lightweight VST and AU instrument plug-in host for Mac OS X that allows you to play these instruments using either your mouse, computer keyboard, or MIDI device (both hardware and software MIDI devices supported). It has a simple, one-screen interface, that will let you start making music with your favorite audio instrument plug-ins in seconds – just choose your plug-in, make your input and output choices, and you’re ready.

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    6196 Views
  • TriTone-Digital HYDRATONE v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital HYDRATONE v1.xx WiN MAC

    HYDRATONE v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

    AU, VST, RTAS, x86

    HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

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    9021 Views
  • TriTone-Digital VALVETONE 62 v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital VALVETONE 62 v1.xx WiN MAC

    VALVETONE 62 v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

    AU, VST, RTAS, x86

    ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.

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    17684 Views
  • TriTone-Digital ANGELTONE v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital ANGELTONE v1.xx WiN MAC

    ANGELTONE v1.xxWiN MAC

    TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

    AU, VST, RTAS, x86

    AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.

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    6583 Views


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