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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • TRAVELER v1.1.3 AAX VST2 VST3 x64 WiN-R2R
    October 19th, 2024 ⚡
    Categories:

    TRAVELER v1.1.3 AAX VST2 VST3 x64 WiN-R2R

    TRAVELER v1.1.3 WiN

    Team R2R | 19 October 2024 | 242.2 MB

    PLATFORM: WiN64 – VST2/VST3/AAX(MODiFiED)

    TRAVELER precisely models the acoustic phenomenon of the Doppler effect, with a powerful and intuitive graphical path editor to determine a sound’s virtual movement. A common example of Doppler shift is the change of pitch heard when a vehicle sounding a horn approaches and recedes from an observer. TRAVELER features a fully fledged 2D path editor allowing you to precisely shape the motion path of the sound source. Further it is possible to freely position the listener in relation to the path. TRAVELER offers intuitive control over the speed of the sound source, path length and the overall doppler path duration. TRAVELER also comes with an onboard loop and granular sample player. The granular sample player allows synchronized playback to the doppler path. This makes it possible to playback the desired sound effect at different durations while remaining everything in perfect sync.


    Viewed 9546 By Music Producers & DJ´s.


  • MC77 AU VST VST3 U2B macOS-MORiA-MaGeSY

    MC77 U2B macOS

    MORiA | 14 August 2024 | 43.6 MB

    Meet your new favorite FET compressor

    Terrific on bass guitars, kicks, vocals, parallel processing, buses and more, the 1176 is one of the most iconic limiters of all time for good reason. With the MC77 you have access to the same unrivaled tone and lightning-fast response as the original 1176, with the added bonus of onboard sidechaining, stereo linking, and more.


    Viewed 41974 By Music Producers & DJ´s.


  • ColourCopy v1.0.2 WiN MAC LiNUX-R2R
    October 19th, 2024 ⚡
    Categories:

    ColourCopy v1.0.2 WiN MAC LiNUX-R2R

    ColourCopy v1.0.2 WiN MAC LiNUX

    Team R2R| 19 October 2024 | 96.95MB

    ( CLAP, AUv2, VST2, VST3, AAX*)

    A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.


    Viewed 13447 By Music Producers & DJ´s.


  • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

    TE-100 v1.1.3 macOS

    MORiA | 10 March 2024 | 31.9 MB

    The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”


    Viewed 61067 By Music Producers & DJ´s.


  • Matcha v1.5.0 WiN-R2R
    October 14th, 2024 ⚡

    Matcha v1.5.0 WiN-R2R

    Matcha v1.5.0 WiN

    Team R2R | 10 Jun 2024 | 1.32GB

    PLATFORM: WiN64 – STANDALONE/VST/VST3/AAX(MODiFiED)

    Create authentic guitar sounds with the Matcha DI guitar synthesizer and your favorite guitar amp plugins! Matcha >>> Pedals >>> Amp >>> FX = Realistic Guitar Sounds. Matcha is a unique and innovative musical instrument that allows keyboarders and MIDI artists to create powerful rock guitar tones that sound as realistic as any you’ve ever heard. In fact, it is so realistic that we encourage you to double your MIDI guitar parts, just like you would do when you record real guitar riffs! Matcha is more than just a shockingly authentic-sounding guitar synth with powerful onboard tonal-shaping options though. It’s a professional musical instrument ready to be REAMPED into your favorite guitar amps. It replaces the guitar in a recording setup, but not the amps and FX! Pair Matcha with ANY of your favorite pedals, amps, cabs, and FX to get amazing tones, playable from your MIDI keyboard.


    Viewed 78719 By Music Producers & DJ´s.


  • Noise Bleach 15 v1.5.2 U2B macOS-MORiA

    Noise Bleach v1.5.2 macOS

    MORiA | 11 July 2024 | 22.6 MB

    EASY.FAST.PRECISE.

    Noise Bleach is a mixing tool system with 8 channels noise gate, working on any kind of audio, like drums, guitar, bass, vocals. Noise Bleach removes extra noise or unwanted resonances efficiently, turning any busy loop to its clearest version, and can also be used as a mixing expression tool, transforming a legato to a pizzicato with fast attack audio.


    Viewed 45376 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐