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  • StudioLive VSL-AI Explained TUTORiAL-MAGNETRiXX
    November 15th, 2017 ⚡
    Categories:
    TUTORiALS

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    StudioLive VSL-AI Explained TUTORiAL

    TEAM MAGNETRiXX | 27 MAY 2015 | 637 MB

    The PreSonus StudioLive AI digital mixer and software package is hands down an industry leading mixing solution. This series by PreSonus master focuses on the powerful and way cool VSL-AI software used to control the digital hardware mixer. See and hear all that this winning combination of hardware and software can do! VSL-AI (Virtual StudioLive AI) unlocks the tremendous remote control and networking capability your StudioLive AI mixer. Along with the Universal Control AI driver, VSL-AI provides a powerful suite of remote control, room analysis, and preset management. It also enables using your StudioLive AI mixer as an audio interface for recording and mixing! This series covers VSL-AI for all three mixers in the series – StudioLive 16.4.2 AI, StudioLive 24.4.2 AI, and the StudioLive 32.4.2 AI.


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  • Vienna Symphonic Library Cello KONTAKT
    July 19th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Cello KONTAKT

    P2P | KONTAKT | 5.05 GB

    The cello (violoncello) is the tenor and bass instrument of the violin family (violin, viola, cello). In the 19th century the cello advanced along with the violin to become the most important bowed instrument for solo works. In the 20th century cellists began to specialize more, concentrating more on solo, chamber or orchestral playing. It is constructed using the same components as the violin, the only difference being the larger size. The bow is about 2 cm shorter and a quarter as heavy again as the violin bow. Horsehair is stretched between the two ends of the bow, with rosin ensuring that the bow remains in contact with the string.


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  • Vienna Symphonic Library Viola Ensemble KONTAKT
    July 11th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Viola Ensemble KONTAKT

    P2P | KONTAKT | 7.80 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors: The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm).


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  • Vienna Symphonic Library Alto Flute KONTAKT
    July 2nd, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Alto Flute KONTAKT

    P2P | 17.06.2016 | KONTAKT | 3.50 GB

    The Alto Flute instrument from the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format..  The Alto Flute in G is a transposing instrument which extends the flutes’ lower tone range. There are two types: the straight shape and that with a curved headpiece. A straight-headed model was used for the recordings. The alto flute has a full, warm sound suggesting mystery especially in the lower range.


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  • Vienna Symphonic Library Saxophones Soprano KONTAKT
    June 26th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Saxophones Soprano KONTAKT

    P2P | KONTAKT | 3.0 GB

    The Soprano saxophone normally doesn’t show the typical curved build of the rest of the saxophone family but has a straight shape. It sounds very lyrical and has become famous through players like Kenny G. It is equally suitable for orchestral settings and jazz music. The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from sensitive to aggressive, from whispering to screaming, exploiting the full dynamic range of these instruments.


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