• Cloud Viola2 KONTAKT
    May 27th, 2018 ⚡

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    Cloud Viola² KONTAKT

    FANTASTiC | 27 May 2018 | 2.4 GB

    CLOUD VIOLA² is a deeply multisampled hybrid Kontakt instrument that takes a humble 17th century classical stringed instrument and lovingly shoves it into the modern world.  CLOUD VIOLA² uses unlikely playing techniques and sampling magic to create new tones and textures. From cinematic pads to strange leads she is perfect as a standalone signature instrument or for adding interesting texture to a ‘proper’ orchestra. Using midi controllers and DAW automation she can be played with organic expressiveness and genuine emotion. CLOUD VIOLA² is completely in her comfort zone in cutting edge electronica, epic trailer massiveness, quirky sound design and delicate contemporary classical.


    Viewed 3477 By Music Producers & DJ´s.


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    Cinematic Piano Strings Scores Vol.2

    TEAM MAGNETRiXX | 5 April 2013 | 493 MB

    ACiD WAV AiFF MiDi

    Cinematic Piano & Strings Scores Vol 2′ brings you five Construction Kits and piano strings solos to give you that high quality Orchestral feel. Add some class to your movies and song productions! These sounds and samples are licensed as Royalty-Free for you to use in commercial productions. All parts are separated including viola, cellos, bass, strings, harp, string pad, piano, and much more.


    Viewed 2688 By Music Producers & DJ´s.


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    Fischer Viola KONTAKT

    SYNTHiC4TE | Oct 16 2016 | 6.02 GB

    The viola has an incredible depth of sound, a warm, rich low range and a singing, fragile high range. We think it gets shortchanged too often, and that’s why we upped the ante with ours! You get more control, more simplicity, and a breathtaking dynamic range.


    Viewed 2530 By Music Producers & DJ´s.


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    Solo Viola KONTAKT

    FANTASTiC | 22 October 2016 | 2.78 GB

    The solo viola boasts the same set of fantastic features as its cousins from the LSS Solo Strings bundle, including THREE true legato types, 8RR x 3 Dynamic Layer Staccato playing, TWO true release modes (hard and soft), plus trills, al with four fantastically blendable mic positions, which, between them, can offer a huge variety in sonic pallete.  The three legato modes – slurred, bowed and portamento, are easily switchable during use via keyswitches, and one exceptionally useful feature, which we are shocked to say we rarely see in string libraries, is the ability to change bow on the same note. Simply hold the note you want to change bow on, and press the low G keyswitch.


    Viewed 3100 By Music Producers & DJ´s.


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    VSL Viola Ensemble KONTAKT

    P2P | KONTAKT | 7.80 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors: The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm).


    Viewed 4157 By Music Producers & DJ´s.


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    VSL Viola KONTAKT

    P2P | KONTAKT | 3.60 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors:y The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm). In other words, the viola is too small in proportion to its tuning and this is the reason for its distinctive timbre. The ratio of the natural resonance of the body to the tuning is different on the two instruments: on the violin the natural resonance is about six half notes above the lowest note, on the viola eleven half notes.


    Viewed 1893 By Music Producers & DJ´s.


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    Urban Viola SF2 KONTAKT

    FANTASTiC | 11 June 2016 | SF2: 336 MB | KONTAKT: 495 MB

    Urban Viola – virtual instrument of acoustic viola provided in Kontakt, Soundfont and ThaLoops Player ® formats. Valuable addition to every serious music producer’s library. The viola was sampled in a high-class studio using a pair of Neumann U-87, Brauner Valvet and Schoeps CMC641 mics ran through a-class preamps. The instrument is built with 851 24bit samples of various acoustic viola articulations covering 5 velocity layers per note and real trigger release sounds. Play presets of:

 Detache / Legato / Staccato / Pizzicato / Glissandos / Trills


    Viewed 5239 By Music Producers & DJ´s.


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