The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.
The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the calibration section that can make the filter scream.
The NF-01 Vintage Synthesizer fully captures all the nuances of its vintage ancestor, Yamaha’s CS01, and evokes the rich harmonics and fat frequencies of a bygone era. Instruments and samples for Kontakt (full retail version), Ableton Live, and Apple Logic EXS24. The NF-01 Vintage Synthesizer fully captures all the nuances of its classic ancestor, Yamaha’s CS01, and evokes the rich harmonics and fat sounds of a bygone era. Featuring 6 unique waveforms, with the ability to to be independently mixed and tuned, NF-01 can produce a vast array of synth textures. From warm evolving pads to percussive pluck sounds and aggressive basses, NF-01 can serve up a variety of inspirational synth elements for your next creation.
Obsession brings the power of a great polyphonic vintage synthesizer to your fingertips. It combines the astute modeling of voltage-controlled oscillators (VCOs), voltage-controlled filter (VCF) and voltage-controlled amplifier (VCA) with a comprehensive individual voice control that has never been done before in this detail.
There is hardly any other category of instruments that has more instruments and sounds than vintage synthesizers. That’s why it was a great pleasure and at the same time an obligation for us to show how our approach to these old treasures is and in which way we implement them. And since we have so many old milestones standing around here, it was somehow logical, too. The ‘Warm Strings’ is a category of their own. We made a sound out of it. We took the sounds of super-skilled synthesizers like the Yamaha CS-60, the Juno 60 or other analog synthesizers and made a huge string patch that sounds like infinity. Then we added a little bit of filters, phasers and other little things and the ultimate velvet sound is ready.
10 compositions, each dwelling in their own world amongst their own unique sounds. All sounds were meticulously recorded, arranged and mixed in order to deliver quality samples for your production. Combining acoustic and electric instruments, vintage synthesizers and the layering of my vocals. The multi-genre samples can be used to produce for anyone, predominantly ranging between the Hip-Hop and R&b pocket. May the drums slap!
This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.
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