Schlap v1.0.7 WiN MAC

FLARE | 07 August 2021 | WiN: 3.96 MB | MAC: 7.41 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

If you want your tracks to be energetic, in-your-face and bold, make ’em “Schlap”. Schlap is a characterful, colourful and aggressive sounding program-dependent compressor. It takes inspiration from hardware RMS compressors of the past and evolves them into a modern setting. The compressor uses a program-dependent attack and release influenced by old hardware making the compression sound characterful and dynamic. The RMS detection means that Schlap detects the average loudness of a signal, resulting in sudden short peaks being uncompressed so that they can attack hard and sound heavy hitting. Also inherently in RMS detection, there is a slight delay in compression which allows the initial, early transients to sneak through uncompressed so they keep their punch. You’ve got a safe, controlled track you think you’re happy with, but you have to ask yourself… “Does it Schlap?”

Vintage Channel Strip WiN

Team V.R | 01 February 2021 | 20 MB

Included: EQ 601, Compressor 260 & Compressor 276.

Vintage Neev 64 Dynamics for NEBULA

Kloud | 08 November 2016 | 142 MB

The secret weapon.

Designed in 1974, the vintage N64 mono Limiter/Compressor unit quickly became a legend by achieving secret-weapon status among studio professionals, thanks to its unique sound and functionality. Discrete, Class A/B design and transformer-coupled circuits used in the input ensured a totally unique sound. This unit is still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.

B-Comp v1.2.0 WiN

Team R2R | Feb 28 2020 | 8 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors. The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound