VSL Horn KONTAKT

P2P | Dec 18, 2011 | 4.20 GB

The tubing of the Viennese horn is 55% conical and narrower than the most commonly used double horn in F/Bb. The so-called F crook is not a fixed part of the Viennese horn but is detachable. Other tunings are used especially for natural horn parts. The three valves are Viennese valves (twin-piston valves) and are operated by the 2nd, 3rd and 4th fingers of the left hand. In contrast to the Vienna horn the double horn in F/Bb has rotary valves with an optional additional stopping valve. The higher pitch that results from stopping on the Viennese horn is not compensated for by a stopping valve but by playing the note a half tone lower.

VSL Vienna Suite v1.1 RTAS VST WiN

Team V.R | 01.05.2016 | x86-x64 | 17 MB

This bundle includes nine advanced, yet easy to use plug-ins for mixing and mastering. For optimum precision, they offer full 64-bit audio processing on all major 64-bit and 32-bit host platforms. Supporting VST/VST3/AU/AAX Native/RTAS (OS X, Windows 7/Vista/XP), Vienna Suite is the ideal solution for anyone who wants to shape a mix using high-end audio tools.

Vienna Imperial Explained TUTORiAL

P2P | 07-09-2015 | 160 MB

The Bosendorfer Imperial 290-755 is a very special, legendary grand piano. It was meticulously recorded by Vienna Symphonic Library, and it is meticulously explained here, by master musician Brock Jon. Brock begins with an overview of just how expansive and deep this sampled piano instrument is. Next, he covers how to set it up as both a plug-in and standalone application. After that, Brock dives into the 3 views of the instrument: the Basic View, the Advanced View, and the Key Editor view. If you’ve just bought this wonderful virtual instrument piano, or are an established user who wants to get the most out of it, watch “Vienna Imperial Explained today!

Vienna Symphonic Library Clarinet KONTAKT

KRock | 6 December 2011 | 5.54 GB

The Clarinet instrument from the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.

Vienna Symphonic Library Tenor Trombone KONTAKT

KRock | 4 January 2011 | 3.64 GB

The Tenor Trombone instrument from the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.

VSL Horizon Series Opus1 Orchestra ESX KONTAKT

P2P | 2012-08-16 | 19.69 GB

This is in EXS/Kontakt2 format (WAV + NKI)

Full release is 4 DVDs: Strings, Woodwinds, Brass, Percussion

This introduction to the world of professional orchestral sounds is the opposite of a “light” version – it is the largest, broadest collection in the entire Horizon Series. The feedback from users of the award-winning VSL orchestral sample libraries was the driving force behind the creation of Opus 1. It contains handpicked samples and Performance Elements from the Vienna Symphonic Library’s Pro Edition. The revolutionary Legato Performance instruments and a selection of the most important single note articulations allow for superior arrangements with the best possible realism. Opus 1 was designed for convenience. Its logical, consistent structure is easy to grasp, instruments can be exchanged without having to figure out altered program numbers or unexpected controller assignments. If you want maximum orchestral output with a single computer system, this is the library of choice! Opus 1 excels at efficiency, economy and unencumbered creativity, while sacrificing nothing in the realism and expressiveness that the Vienna Symphonic Library has become famous for.

Vienna Concert Grand KONTAKT

Team DYNAMiCS | Feb 2010 | 6.15 GB

The VIENNA CONCERT GRAND reproduces in the finest detail the sound of the legendary Viennese piano. Adapted from Native Instruments legendary AKOUSTIK PIANO software and featuring high-quality recording of ten velocity layers per key this KONTAKT instrument produces a sound indistinguishable from the original for expression and authenticity. Ni’ groundbreaking Sample Engine with Layer Morphing Technology allow the shaping of the piano to suit your own needs with high-end effects and control possibilities for the smallest tonal nuances. Overwhelming power, a ‘singing’ sound and a resonance that never quite ends are all characteristics of VIENNA CONCERT GRAND. These sound qualities stem from the unique design of the original. Different strengths of the soundboard in the different layers of bass to treble ensure optimum transfer of string vibrations and allow full power and the finest nuances in all registers – from thundering piano concertos to the softest whisper.