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  • Vienna Symphonic Library Wagner Tuba KONTAKT
    July 3rd, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT

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    VSL Wagner Tuba KONTAKT

    P2P | KONTAKT | 4.55 GB

    The Wagner tuba, conceived by Richard Wagner for his Ring of the Nibelung, is made in two sizes, Bb (tenor instrument) and F (bass instrument). In the symphony orchestra two of each instrument have always been used. Because they have a horn mouthpiece they are played by hornists. Playing technique and position underscore the fact that the instrument is molded entirely on the French horn; the four valves are operated with the left hand, and not, as on all other tubas, with the right. Unlike the horn, however, the bell faces upward.


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  • Vienna Symphonic Library Alto Flute KONTAKT
    July 2nd, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Alto Flute KONTAKT

    P2P | 17.06.2016 | KONTAKT | 3.50 GB

    The Alto Flute instrument from the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format..  The Alto Flute in G is a transposing instrument which extends the flutes’ lower tone range. There are two types: the straight shape and that with a curved headpiece. A straight-headed model was used for the recordings. The alto flute has a full, warm sound suggesting mystery especially in the lower range.


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  • Vienna Symphonic Library Saxophones Soprano KONTAKT
    June 26th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Saxophones Soprano KONTAKT

    P2P | KONTAKT | 3.0 GB

    The Soprano saxophone normally doesn’t show the typical curved build of the rest of the saxophone family but has a straight shape. It sounds very lyrical and has become famous through players like Kenny G. It is equally suitable for orchestral settings and jazz music. The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from sensitive to aggressive, from whispering to screaming, exploiting the full dynamic range of these instruments.


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  • Vienna Symphonic Library Violin KONTAKT
    June 25th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT

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    VSL Violin KONTAKT

    P2P | KONTAKT | 3.60 GB

    The violin is the soprano instrument of the violin family (violin, viola, cello). It consists of three main parts, the body, the neck and the head, which are composed of a total of 80 separate components. The body not only gives the violin its characteristic appearance but also determines the sound quality as it is the instrument’s resonator. The neck plays an important role in playing technique and is about 13 cm long and angled slightly back from the body. The circumference is the same along its entire length which makes it easier for the left hand to slide up and down to different positions). The head, with the pegbox and scroll, is a continuation of the neck. The pegs, which are used to adjust the tension of the strings, are found in the four peg holes in the pegbox: the instrument is tuned by turning the pegs. The head is rounded off by the scroll. The fingerboard extends beyond the neck over the body and is important for intonation. The length of the fingerboard determines how far the range extends upward. The strings are stretched above and parallel to the fingerboard.


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  • Vienna Symphonic Library Viola KONTAKT
    June 25th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Viola KONTAKT

    P2P | KONTAKT | 3.60 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors:y The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm). In other words, the viola is too small in proportion to its tuning and this is the reason for its distinctive timbre. The ratio of the natural resonance of the body to the tuning is different on the two instruments: on the violin the natural resonance is about six half notes above the lowest note, on the viola eleven half notes.


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