bx_XL V2 v2.16.1 R2 WiN

Team R2R | 07 June 2024 | 13.6 MB

PLATFORM: VST2/VST3/AAX(MOD)

Industry-Standard Loudness Using M/S Technology

The bx_XL V2 provides mastering engineers the ability to deliver loud mixes, without squashing the life out of them. Using the M/S technology from BWX’s revolutionary bx_digital EQ, you can split the Mid channel into two bands (high and low), allowing you to control the level of three individual channels—side, mid-high, and mid-low—to increase loudness while drastically improving the clarity of your mixes, with far fewer artifacts and much more punch.

Slam V2 v1.3.0 R2 WiN

Team R2R | 19 July 2023 | 143.0MB

 PLATFORM: VST3/AAX/x64

SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.

Headphase v1 v2 KONTAKT

P2P | 22 November 2018 | 1.58 GB

In keeping with our philosophy of creating innovative new sound design concepts we created Headphase. Headphase is packed with 1323 custom made samples inspired by our love of nostalgic sounds. Each sound can be controlled in many ways and blended to create sonically deep and lush textures. Each sound has been specifcally made for Headphase and we have drawn our inspiration heavily from the Boards of Canada pallette hence the name. On the surface you can start loading presets and playing Headphase instantly and you can get creative by turning a few controls to see what they do but Headphase goes much deeper than this. It uses a new concept ‘Audio Design partials’ to give you access to various parameters while just moving one of 4 knobs. These will open up a world of new sounds. Move a ‘Partial’ knob and listen as the sound morphs and changes in various unexpected ways. We wanted to make an instrument that could be used for rapid inspiration and for generating unique sounds very quickly.

bx_XL V2 Explained®

HiDERA | 04 May 2024 | 461 MB

If you’re struggling to get your songs to compete with ones you hear on the radio in terms of loudness and punch, then the bx_XL V2 from Brainworx has got your back. In this bx_XL V2 course, veteran Groove3 instructor Larry Holcombe will show you everything you need to know in order to produce phenomenal-sounding masters that will stand up to anything out there. Whether it’s taming some low-end issues, increasing the stereo spread, or boosting the mid-content, it’s all here! By the end of this bx_XL V2 video course, you’ll be ready to put this impressive tool to work for you right away and say goodbye to dull, anemic mixes for good! These bx_XL V2 videos are designed for new bx_XL V2 users. Larry begins by welcoming you and covering the different areas of the interface, so you’ll know where everything is located once we dig in. You’ll also get a quick overview of the basic workflow suggested for the bx_XL V2. Then it’s on to the Input section, where you’ll see how to set the levels and balance, followed by a look at the Crossover and Monomaker controls, which allow you to dial in a solid low end on your track.

Black Q v2 v1.1.2 R2 WiN

Team R2R | 19 July 2023 | 11MB

PLATFORM: VST3/AAX(MODiFiED)

A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR

ST1 V2 v2.1.3 WiN MAC

Team R2R | 21 February 2024 | 13MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

ST1 is a simple tool that lets you control the width and the panorama of a stereo audio signal. It includes a mono-to-stereo function, a stereo field enhancer, a rich panning knob that includes spectral panning, and a bass-focus feature. The phase and correlation meter visually monitors the panning position and stereo width.

LevelOne v2 R171 WiN

Team R2R | 31 August 2023 | 2.5MB

Loudness jumps between program items is a well known phenomenon for broadcasters and producers of multi-media or game audio. So far only leveling by ear could fix this, a tedious task especially when content is collected from more than one source. International demand for a loudness measurement standard led to the ITU LKFS loudness descriptor. It forms the core of Grimm Audio’s LevelOne software.