Mastering EDM in Ableton Live Using Native Plugins TUTORiAL

P2P | 02.10.2016 | 632 MB

Professional sounding EDM tracks using only native plugins, forget about expensive plugins. Everything is done in Ableton Live, Loudness, punch, depth and clarity Balanced and polished sounding tracks …all in an easy to follow course with everything clearly explained. Today, you can start making your tracks sound better, more professional, easily and quickly without expensive plugins or complicated techniques.

Using Ableton Link TUTORiAL

P2P | May 13 2016 | 41 MB

Ableton Link is a simple but vital utility that helps musicians collaborate. With Link, they can sync Ableton Live tracks with the sounds captured on other computers and any Link-enabled iOS music-making apps. It’s one of the easiest ways to make sure everyone in your sessions is “in time”—no cables required. In this short course, author Yeuda Ben-Atar quickly demonstrates his techniques for using Ableton Link to set up and synchronize multiple computers and iOS devices, and demos the Link workflow in a short jam session featuring Ableton Live and the Ableton Push controller.

Digital Audio Production Using Ableton Live

English | MOV | 1280×800 | 30fps | AVC | AAC  | 4.84 GB

10 hours of High Definition video covering how to write a complete tune in Ableton Live, from scratch! This includes the finished Ableton Live file used in the video, with all samples and instrument settings in tact.

How To Remix Using Logic Pro TUTORiAL

English | FLV | 960×600 | 12 fps | 476 MB

AVC ~ 400 kbps | AAC ~ 128 kbps

Get inside the mind of remixer and Logic Pro expert, Chris Agnelli and find out how he used (and abused) Apples Logic Pro 9 to put together this massive remix. From thundering drums to distorted vocoded vocals he flips this remix on its head. Don’t expect a nice trance mix here folks – the dirt is turn all the way up to 10!

Using Audio Units in a VST Environment TUTORiAL

SYNTHiC4TE | March 14 2016 | 174 MB

Do you have some great Audio Unit plug-ins but your DAW only supports VST? Well studio master comes to the rescue with a video tutorial series demonstrating how you can use your Audio Unit plug-ins in a “VST plug-in only” environment. Yeah! Brock begins by explaining how plug-ins like Blue Cat Audio’s Patchwork and Nyrv System’s AGENT allow you to use Audio Units in a VST environment and vise versa. He then explores Blue Cat’s Patchwork, diving deep into its flexible routing capabilities and demonstrating how you can use it in your VST host. Nyrv’s AGENT is up next, and Brock walks you through how you can set this plug-in up as a channel strip. Wrapping it up, Brock demonstrates how to use AGENT in a mix to create the “ultimate vocal channel”.

Final Cut Pro X Layers and Animation TUTORiAL

P2P | 05-09-2015 | 436 MB

using Video and Photoshop Files

In this course we look at how to composite and animate video and layered Photoshop files in Final Cut Pro X. In the project you will create a layered Photoshop project that draws and animates itself onto the screen. Final Cut Pro X may primarily be a video editor but with a smart fusion of Photoshop, cropping and keyframing you can create some awesome motion graphics in this application. Some previous knowledge of Photoshop is recommended for this course. A knowledge of how to create and manipulate layers to create a design will help a lot as we mostly discuss how to get layers into Final Cut Pro X then animate them. Enjoy the course and let me know if you have any questions. I check in here daily so please expect a quick response.

Music Theory Using the Ableton Push TUTORiAL

P2P | 21-06-2015 | 458 MB

Traditionally, music theory is taught with a piano as the main tool to learn the concepts. In this class, we take music theory concepts and apply them to the the Ableton Push controller. Using the Push, we can find the patterns for chords, harmony, and intervals that will get you producing, songwriting, or composing with the Ableton Push. It is recommended students have already taken Music Theory for Electronic Musicians I and Music Theory for Electronic Musicians II: Minor Keys and More