Understanding Compression TUTORiAL

SYNTHiC4TE | Nov 05 2014 | 413 MB

Let’s face it, compression can be a huge source of frustration. How many times have you spent hours trying to compress track, only to walk away, scratching your head, wondering why it doesn’t sound better? I’ve been there, and you should know that you don’t have to stay there. After many hours and countless cups of coffee, I have learned how to use compressions effectively, and I want to help you learn this valuable mixing skill. I’ll shoot straight with you. I’m making an offer to you today. Understanding Compression isn’t free, but I believe the training you’ll receive will be far more valuable than the price you’ll pay. In fact, with a little practice, you can go from hating compression to loving it and wielding it to get great results. Understanding Compression consists of 5 videos (over 2 hours of content). These are high-definition full-screen videos, where I walk you through everything as if you were sitting with me in my studio.

Production Techniques Understanding EQ

TEAM MATRiX 10.09.2014 | 397.89 MB

In this EQ extravaganza, we will work through the principles of the often misunderstood world of EQ. From the basic filter types and controls to the use of Mid Side EQ and real world mixing examples. Get to know the difference between low pass and high shelving filters and get a visualisation of how you should structure EQ in your mixing.

The Synthesizer: A Comprehensive Guide to Understand

English | 2014 | 428 pages | EPUB | 40 MB

Programming, Playing, and Recording the Ultimate Electronic Music Instrument

Suitable for existing synthesists and newcomers to the industry; teachers, professors, and students in universities, colleges, high schools, and middle schools who are interested in electronic music; and manufacturers, dealers, consultants, journalists, authors, owners, performers, composers, improvisers, engineers, producers, and recordists in the electronic-music and electro-acoustic industries. Electronic music instruments weren’t called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen’s development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices.