Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB

Team DYNAMiCS | 10.05.2009 | 20.85 MB

Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us. A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Until you listen to it. Then it becomes real.

PSP Neon HR v2.0.4 AU VST RTAS MAC OSX

Team Cook | March, 24 – 2014 |  7.67 MB

PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

SoundQuest MidiQuest XL v10.0.5 MAC OSX UB

TEAM ArCADE | 30.10.2010 | 62.55 MB

Software synths and effects have some great advantages. They work right inside your sequencer; you can easily store and access all of your sounds on the computer; and if you want, you can automate changes to your sounds while your sequence plays. All you have to do is twist the knobs of your soft-synth to record the changes. With Midi Quest 10 XL, all of those great features that you have for your soft-synths are now available for your hardware synths and effects. Imagine being able to integrate all of your MIDI hardware into your digital audio sequencer and using it the same way you use your soft-synths. With Midi Quest XL, you can.

Audiofile Engineering Loop Editor v1.5.0 MAC OSX UB

Team DYNAMiCS | Date: 27/02/10 | 8.66 MB

Loop editor is a simple audio loop editor. Designed in Cocoa from the ground up, Loop Editor proudly takes advantage of Quartz, CoreAudio, and other solid OS X interface features. Loop Editor supports all audio file formats that support loop markers, including every type of looping available for any given format. Loop Editor is one of the only applications available that manages multiple loop makers (within files that support multiple loops).

Audio Damage Replicant VST AU UB PC MAC

Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.

Audio Damage Liquid VST AU UB 1.0.1 MAC

Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.