Magesy® R-Evolution™
  • KCNCrew Pack 2020-02-15 UB macOS
    16 February 2020
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    KCNCrew Pack 2020-02-15 UB macOS

    P2P | 15 February 2020 | 5.9 MB

    Database of srials, Crcks for MAC OS X

    Here is the well-known KCNcrew Pack (database of srials, crcks for Mac OS X). It’s like Srial Box, which has SN’s, crcks and patches. It would be best to have both of these collections, as this Pack often has serials you cannot find in the Serial Box. However, there is no way to view what serials, crcks and patches are new in this issue as compared to the previous.

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  • Vanguard v1.8.0 VSTi AU RTAS MAC OSX UB-ArCADE
    26 July 2019
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    Vanguard v1.8.0 VSTi AU RTAS MAC

    Team ArCADE | 2008 | MAC OSX  | 6.41 MB

    VANGUARD is the long awaited replacement for your old 19″ hardware gear which you will never use again after you have tried VANGUARD. This VSTi with quality and powerful sound hardly need an introduction – it has been known for several years, successfully musicians around the world, has a bright Expression of trans / progressive trance in nature, but can be used not only in these and related styles, but also goes well with the acoustic instruments, ethnic drums and percussion, apply a lot where You can create your own sounds easy, very easy to manage, those who deal with him for the first time – with no thought to swing.

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  • Cans2Cones v2.0.0 WiN OSX RETAiL-SYNTHiC4TE
    8 May 2019
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    Cans2Cones v2.0.0 WiN OSX

    SYNTHiC4TE | May 07 2019 | 8 MB

    WiN: 64-bit VST2 & VST3 and MAC: “universal binary” VST2, VST3 & AU

    Cans2Cones version v2.0.0, a complete revision to the headphones-to-speaker emulator with an improved algorithm and added features. Cans2Cones is designed to help a listener make better mixes when monitoring through headphones Cans2Cones applies Interaural Time and Amplitude Difference (ITD and ITA) information to a stereo signal that emulates the distance and spacing of loudspeakers in a treated room. A special feature of Cans2Cones is a dynamic de-compression control which helps to overcome the compressed “in your head” sound that can occur due to the close proximity of headphone drivers to the eardrums.

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    2590
  • LAMA v1.5.0 MAC OSX
    24 July 2018
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    LAMA v1.5.0 MAC OSX

    P2P | 24 July 2018 | 6.48 MB

    LAMA is the Audio Measurement Application that tells you what you do and not what to do! It is a toolbox of audio-measurement instruments that allow fast & easy setup, designed for live sound-reinforcement but also suitable for all other needs of audio-engineering.

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    6435
  • AdrenaLinn Sync v2.0.3 AU VST VSTi UB RTAS WiN MAC-R2R
    28 March 2018
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    AdrenaLinn Sync v2.0.3 WiN MAC

    TEAM R2R | 2015.04.24 | WiN: 13.15 MB | MAC: 17.13 MB

    AU VST VSTi UB RTAS

    AdrenaLinn Sync is a software plug-in from Roger Linn Design that provides the same unique beat-synced filter modulation and sequencing effects of our AdrenaLinn III guitar pedal, plus quite a bit more. Though intended for guitar, it adds fascinating rhythmic tonal effects to any instrument or processed audio. First released in October of 2009, we listened to your feedback and are now releasing AdrenaLinn Sync Version 2, a dramatic improvement over the original. And it’s free to all purchasers of the original version. AdrenaLinn Sync Version 2 is written in conjunction with Way Out Ware, makers of TimeWArp2600 and KikAxxe, critically-acclaimed emulations of vintage Arp analog synthesizers. Version 2 is completely rewritten and takes advantage of Way Out Ware’s flawless analog-modeled filters and audio processing technology, resulting in a very wide variety of truly exciting, unique and inspiring sounds.

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  • Mr Sax-T v1.0 VSTi RTAS AU DXi UB x86 x64 WiN MAC-DYNAMiCS
    23 December 2017
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    Mr. Sax-T v1.0 WiN MAC

    TEAM DYNAMiCS | 23.01.2009 | WiN: 151 MB | MAC: 219 MB

    VSTi/AU/UB/DXi/RTAS/x86/x64

    Mr. Sax T. employs an entirely new technology, developed by Stefano Lucato when it became clear that all the previously applied approaches simply could not do. The technical name is Synchronous Wave Triggering. It uses samples as a base material, chromatically performed by a professional sax player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants.

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