Impress v3.4.1 MAC

MORiA | 17 January 2025 | 13.47 MB

..: AU, VST2, VST3, 64Bit :..

Wideband Stereo Compressor

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

The Him DSP Complete Bundle MAC

Team GUSEPPE | 24 September 2024 | 58 MB

The Him DSP Years of music production experience and success, transformed into tools you’ll love to create with.

DRC v2.12.0 macOS

MORiA | 16 January 2025 | 360.37 MB

PLATFORM: AU, VST2i, VST3i, STANDALONE

Amazing, Warm Analog Sound.

DRC is a powerful synthesizer for Desktop and Mobile With a clean, minimal design focused on accessibility, the intuitive interface allows you to concentrate on creativity and control of your sound, free from visual distractions. “DRC Synth” features a modern looking, minimalistic interface with several different colour variations to choose from and has been designed to be as accessible and uncluttered as possible… it is very easy to use. It also features a cloud-based preset management system, which means that sounds to be shared across all available platforms. DRC Synth works equally well for everything from analog-style pads and lush textures to crazy sound effects and stonking basses. With up to eight voices, each with two oscillators, a ring modulator, sub oscillator and noise, DRC is a beefy and versatile subtractive synth (more on these shortly). The integrated and intuitive chorder makes it easy to instantly get the most out of your polyphonic synthesizer, by experimenting with powerful chords.

P42 Climax v5.7.0 macOS

MORiA | 16 October 2024 | 64.10MB

.: AU, VST3, 64Bit :.

P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with hardware. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable! Don’t underestimate the few parameters in P42 Climax. It is chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain.

TE-100 v1.1.3 macOS

MORiA | 10 March 2024 | 31.9 MB

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”

Noise Bleach v1.5.2 macOS

MORiA | 11 July 2024 | 22.6 MB

EASY.FAST.PRECISE.

Noise Bleach is a mixing tool system with 8 channels noise gate, working on any kind of audio, like drums, guitar, bass, vocals. Noise Bleach removes extra noise or unwanted resonances efficiently, turning any busy loop to its clearest version, and can also be used as a mixing expression tool, transforming a legato to a pizzicato with fast attack audio.

Sylab v1.2.5 U2B macOS

MORiA | 11 July 2024 | 26.7 MB

…: AU | VST | VST3 :….

SYLAB a unique vowel filter, which includes LFOGRID, an innovative LFO Generative System. Acting like Inception within your sound design, LFOGRID lets you create the right curves effortlessly. Explore a variety of LFO styles at the initial level, uncover additional options within the Patterns level, and then access specialized editing features at the advanced level. Each of the three levels within LFOGRID generates hundreds of new LFOs, providing you with the option to incorporate them into your project by simply clicking on the preview.