Subtractive Synthesis

FANTASTiC | 17 July 2024 | 1.79 GB

Subtractive synthesis is the backbone of modern electronic music production. In this course, we will cover all the important aspects of substractive synthesis by using free synthesizer Vital and make every type of fundamental sounds together. On top of that, after the completion of the course, you will receive bonus presets for Vital that you can reverse engineer yourself or use in your future projects.

bx_limiter Explained®

HiDERA | 14 July 2024 | 729 MB

Are you ready to start using a limiter in your tracks but aren’t sure where to start? You’re in the right place. In this bx_limiter video course, veteran Groove3 instructor Larry Holcombe will guide you through the use of bx_limiter and bx_limiter True Peak by Brainworx, two exceptional plug-ins that can expertly handle many of your mixing and mastering tasks. If your tracks sound too quiet, too dull, too boomy, etc., you’ll learn how to correct them in no time with this bx_limiter course. By the end, this course will equip you with new skills that you can apply to other similar plugins. These bx_limiter videos are designed for those new to the world of mastering. To begin, Larry extends a warm welcome to you, delves into the concept of mastering, and explains how limiting fits into it. He then takes you on a tour of the bx_limiter interface, ensuring you are familiar with its layout before delving into the details. Then you’ll learn about each of the plug-in’s parameters, such as the threshold, channel linking, mix, XL, etc., and how to use them to handle and manage the transient material in your mix.

Softube Parallels Explained®

HiDERA | 14 July 2024 | 172 MB

Join synth expert Thomas Cochran for a deep look into Softube’s new synth instrument, Parallels. You’ll learn how to draw an incredible range of tones from the synth using its intuitive interface. From quivering basses to echoed, reverse pads, and more, Parallels is a sonic playhouse. This Parallels video course is designed for new Parallels users. Thomas welcomes you and then presents a quick overview of the instrument, including generating sounds, managing presets, etc. Then it’s on to the Source section, where you can access different sound sources to combine and layer into a composite sound of your own. Next, you’ll explore ways to vary the sounds further, including Shaper, modulation, effects, and more. Thomas concludes the course by demonstrating the creation of two sounds from scratch: a pad and a bass.

Different Types of Amp Tones

HiDERA | 12 July 2024 | 381 MB

Guitar tone chasers, rejoice! In this guitar video course, recording expert Gary Hiebner discusses several common types of amp tones and shows how each one can be duplicated with an amp sim. You’ll learn about setting controls, tweaking, and combining various chains to get different results. Grab your guitar and learn! These guitar videos are designed for guitarists using amp sims. Gary begins with one of the most iconic rock amps of all, the Marshall JCM800, and demonstrates the mid- to high-gain sounds for which it’s famous. Then it’s on to the Orange Rockerverb to show its famous creamy, fuzzy tone that’s loved by so many. Next, we’ll introduce the Dual Rectifier from Mesa Boogie, where you’ll learn how to achieve its distinctive high-gain tone, which is renowned for its deep bass. Then Gary covers the recent classic, the EVH 5150, which many consider to be the standard for modern high gain, followed by a pair of classic Fender amps famed for their bell-like cleans and angry half-dirty tones. Other amps covered include the Vox AC30 (for the chime), Roland Jazz 120 (cleanest of cleans), Mesa Boogie Mark V (high gain classic), and more!

NI Razor TUTORiAL

P2P | 28-06-2015 | 534 MB

NI Razor is a totally different beast, this amazing additive synthesizer allows you to create complex and especially unique refreshing sounds using just sine waves. First let’s dive in to the main controls and concepts so that we have a clear understanding of what this synth can do. Additive synthesis is very different from all the other forms of sound design since it uses only sine waves to build more complex waves.

Postproducción de Sonido en Pro Tools

FANTASTiC | 15 October 2024 | 1.03 GB

Subtitles Included: English, French, German, Italian, Portuguese

Aprende a utilizar el sonido como herramienta narrativa y crea tu propio universo sonoro. El sonido —y su ausencia— tienen un gran grado de responsabilidad en el disfrute de una pieza audiovisual. ¿Cómo olvidar la primera vez que escuchaste el rugido del T- Rex en Parque Jurásico o la primera vez que una nave saltó al hiperespacio en La guerra de las galaxias? Sonidista con más de 30 años de experiencia, te enseñará en este curso a utilizar el software Avid Pro Tools para aportar emoción, información, sensaciones y percepciones a una imagen. Aprende una manera accesible de armar bandas sonoras y desarrolla el sonido de tus proyectos de una forma creativa y con conocimientos técnicos.

Studio One 7: New Features Explained®

HiDERA | 15 October 2024 | 148 MB

If you’re looking forward to getting the most out of the new Studio One 7 update, you’re in the right place! In this Studio One 7 video tutorial series, Studio One wizard Eli Krantzberg breaks down all the shiny new features and updates, providing plenty of examples and usage scenarios along the way, as well as several tips to help maximize efficiency. From brand new components like Launcher (grid-based music production) and Deep Flight One (virtual instrument) to other updates and enhancements, it’s all covered here in detail, so you’ll be ready to hit the ground running! These Studio One videos are designed for those familiar with Studio One but new to version 7. Eli begins the series by demonstrating the new Splice extension, with which you can work with content from Splice (a huge sample library) directly within the Studio One browser. Next, Eli introduces you to Launcher, a new grid-based production tool that employs a non-linear approach through the use of cells, scenes, and playlists. You’ll learn how to populate the cells by dragging and dropping them from the timeline, Loops browser, or Splice browser, as well as by recording directly to a cell and copying events to other cells.