PSEQ-1 Vacuum Tube Passive EQ VST WiN

HY2ROG3N | 15.04.2015 | 3.69 MB

The PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuits. Even with large boosts at narrow-Q settings, the PSEQ-1 Vacuum Tube Passive EQ avoids the harshness that often plagues conventional active EQ topologies. The perfect EQ for individual channels or two- channel final mix busses.

VBE-1 Vacuum Tube Bass Enhancer VST WiN

HY2ROG3N | 15.04.2015 | 3.12 MB

VBE-1 is vacuum tube analog bass enhancer. If basic equalization does not bring enough of low end massive fatness and warmth to your mix, it is time to test new Pentode VBE-1 that will add real vacuum tube warmth, saturation and drive to your baselines and kick drums.

VTC-1 Vacuum Tube Compressor VST WiN

HY2ROG3N | 15.04.2015 | 3.96 MB

VTC-1 is special analog modeled virtual VST compressor with warm analog, fat pumping and transparent sound. Compared to modern compressors VTC-1 has different inner structure and principle of work: VTC-1 don’t have threshold knob, so you set amount of compression by increasing or decreasing input level same like with old analog tube compressors. Compression amount knob is similar to ratio knob at modern compressors. You can select two curves of compression with switch: significant compression or smooth curve. If you prefer fat/massive sound you can boost input signal of vacuum tubes by turning tube drive knob. If you want some real sounding analog color to your digital records and characteristic yet transparent compression feel free to try demo version of VTC-1.

UAD UA 610 Tube Preamp & EQ Collection Explained TUTORiAL

SYNTHiC4TE | March 23 2015 | 228 MB

A TREASURED PREAMP BROUGHT TO SOFTWARE

Universal Audio’s 610 Tube Preamp & EQ have been one of the most sought after preamps since the early 60s, and studio guru Brock Jon shows you how you can get that classic sound with the UAD emulation! Beginning with a historical overview of just how widely used both the original and current production versions of the UA 610 are, Brock dives first into the Preamp, then the EQ Controls, of the UA 610 A & B plug-ins. He also explains what each individual control does and how they all work together. The next videos offer in-depth information on how to use the various plug-ins on different types of source material. He starts by applying the 610 to Drums, then to Bass Synths. Brock now shows you how to get the most out of the 610 A & B on Strings, Synths, And Vocals. Finally, he uses the 610A & B on the Master Buss to add that extra girth and sparkle. If you’re an experienced UA610 user looking for some new insight or a new UAD user looking for a unique creative tool, watch “UAD UA 610 Tube Preamp & EQ Collection Explained” today and reap the rewards of this industry-standard, classic piece of gear!

Phi-L Audio Tube Preamp AU VST x86 x64 WiN MAC

FREE | 04.12.2014 | 10 MB

Abstract: Since the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound. Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit.

Bitsonic Tube Virtualiser v1.1 VST WiN

TEAM R2R | 2014.04.10 | 2.42 MB

ANALOG SOUND IN YOUR DIGITAL SYSTEM

Nowadays the music industry aims for the highest possible quality and volume for music Most softvers are lacking in this department. The Tube virtualiser – using a special algorithm – can bring out the maximum from music. With the help of this program, it’s possible to bring out extra deep frequency without distortion. And when the distortion is impossible to avoid, the program makes the sound affable to human hearing. This solution is tipically used by analogous technologies. Important: do not put the program at the end of the effect chain, the last must always be a limiter!

Frequency Tweakers B Philco Tube Amp For Nebula

Team MAGNETRiXX | 04 March 2014 | 442 MB

An old Philco 6-tube amplifier has been extensively sampled to use as a unique tone-shaping tool in Nebula. Much time and effort went into making sure that the end results were faithful to the hardware, which sounds great, and was sold with several phonograph consoles (model G1708, for example) back in the 50′s. It was sampled in 3 different hardware setups (using Lynx Aurora), for 3 different flavors. For all 3, the unit’s bass and treble knobs were sampled so that Nebula could recreate the behavior of the unit across all possible combinations of the two. The ‘bass’ knob mostly acts as an adjustable high pass, and ‘treble’ as a shelf. Together they can also be used to create ’tilt-like’ eq setups (check the freq response graphs in manual to see what’s possible).