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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS-MORiA
    March 10th, 2024 ⚡
    Categories: AU, macOS, U2B, VST, VST3, x64, x64

    TE-100 v1.1.3 U2B AU VST VST3 64Bit macOS

    TE-100 v1.1.3 macOS

    MORiA | 10 March 2024 | 31.9 MB

    The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



    Viewed 57332 By Music Producers.


    • Passive EQ v1.4.5 U2B macOS-MORiA
      February 18th, 2024 ⚡
      Categories: AAX, Apple Silicon, AU, macOS, NI VST, U2B, VST, VST3, x64, x64

      Passive EQ v1.4.5 U2B macOS-MORiA-MaGeSY

      Passive EQ v1.4.5 U2B macOS

      MORiA | 15 December 2023 | 75.1 MB

      ….: AAX, AU, VST, VST3 :….

      Passive EQ is a fully-parametric, two-channel, four-band equalizer, with additional high and low pass filters plus a wide collection of presets for all use cases. Characterized by its versatile nature and natural sound, it is well suited to a wide range of production duties ? from individual tracks to sub groups and even mastering. This effect belongs to the PREMIUM TUBE SERIES, produced in collaboration with Softube. These “Swedish rock ‘n’ roll scientists” specialize in incredibly accurate software emulations of professional audio hardware.



      Viewed 32098 By Music Producers.


      • Black Q v2 v3.0.0 AAX VST3 x64 WiN-MOCHA
        October 30th, 2023 ⚡
        Categories: AAX, VST3, WiNDOWS, x64

        Black Q

        Black Q v2 v3.0.0 WiN

        Team MOCHA | 02 July 2023 | 10.1 MB

        ” Smooth Tubes ” EQUALIZER

        Black Q is a 4 band Tube Eq with 2 modes of saturation. These are modeled from analog equipment featuring Sowter and Lundahl transformers and Various Tubes. A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR



        Viewed 29468 By Music Producers.


        • Lindell Plug-ins Pack 2023-10 WiN-TCD
          October 26th, 2023 ⚡
          Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64

          Lindell Plug-ins Pack 2023-10 WiN-TCD

          Lindell Plug-ins Pack 2023.10 WiN

          Team TCD | 26 October 2023 | 596.77 MB

           (Win64; AAX*, VST3, VST)

          The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.



          Viewed 21344 By Music Producers.


          • 1A Equalizer v1.0.0 AAX VST3 x64 Rev.2 WiN-TCD
            September 28th, 2023 ⚡
            Categories: AAX, VST3, WiNDOWS, x64

            1a Equalizer V1.0.0 Aax Vst3 X64 Rev.2 Win Tcd Magesy

            1A Equalizer v1.0.0 WiN

            TCD | 28 September 2023 | 21 MB

            Tube based EQ for all use cases you ever think of.



            Viewed 17123 By Music Producers.


            • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R
              July 15th, 2021 ⚡
              Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64, x86

              TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

              TE-100 v1.1.1 WiN

              Team R2R | August 23 2020 | 15 MB

              PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

              The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



              Viewed 9295 By Music Producers.


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