The library is based on 32 trombone samples with tempo and key information. Each phrase is usually between 1 and 4 bars long. All phrases are played on the same harmony pattern and can be easily combined with each other. This makes it easy to create a complete song arrangement. The genre ranges from pop, jazz and blues to rock. The sounds feel organic and the samples are perfect to loop.
The library is based on 11 trombone samples with tempo and key information. Each phrase is usually between 1 and 4 bars long. All phrases are played on the same harmony pattern and can be easily combined with each other. This makes it easy to create a complete song arrangement. The genre ranges from pop, jazz and blues to rock. The sounds feel organic and the samples are perfect to loop.
The library is based on 23 trombone samples with tempo and key information. Each phrase is usually between 1 and 4 bars long. All phrases are played on the same harmony pattern and can be easily combined with each other. This makes it easy to create a complete song arrangement. The genre ranges from pop, jazz and blues to rock. The sounds feel organic and the samples are perfect to loop.
The library is based on 17 trombone samples with tempo and key information. Each phrase is usually between 1 and 4 bars long. All phrases are played on the same harmony pattern and can be easily combined with each other. This makes it easy to create a complete song arrangement. The genre ranges from pop, jazz and blues to rock. The sounds feel organic and the samples are perfect to loop.
Tenor Trombone was developed to address the need for playable, dynamic solo and ensemble trombone parts for use in professional arranging and composition. Featuring the artistry of virtuoso trombonist Eric Alexander, this library was recorded and programmed with innovative features to bring natural expression and playability to horn section recordings.
SAM’s trombone trio have a wide three-octave span from C2 to C5. A solo bass trombone extends this compass down to F1, performing unlooped sustains, two types of marcato and staccato notes. The bass instrument matches the three-trombone ensemble for power and precision — my only regret is that we didn’t get two bass trombones playing in unison to make that classic ’60s big band sound!
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