REIntroducing Trash Iconic distortion is back. With an intuitive interface engineered for inspiration, get ready to create and destroy. From subtle warmth to sonic mutations, everything is possible with Trash.
If distortion is your thing, you’ll love the newly re-imagined Trash plugin effect from iZotope. In this iZotope Trash video course, production ace Larry Holcombe will show you all you need to know about this powerful audio-twisting plug-in and how to tweak every parameter to dial in exactly what you want it to do. Whether you’re looking for subtle saturation and color, absolute bone-crushing sonic mayhem, or anything in between, you’ll be ready to achieve it after viewing this course. These iZotope Trash video tutorials are designed for new users. Larry begins with an overview of the plug-in, including a tour of the interface and a demonstration of the basic workflow, so you can start having fun and experimenting right away. Then it’s down to the details, and first up is a look at the multi-band display, which allows you to apply different amounts and types of distortion to each of the three frequency bands. Learn about the Trash module as well—the heart of the plug-in—and see how to select from four different distortion types and blend them via the XY pad.
REIntroducing Trash Iconic distortion is back. With an intuitive interface engineered for inspiration, get ready to create and destroy. From subtle warmth to sonic mutations, everything is possible with Trash.
REIntroducing Trash Iconic distortion is back. With an intuitive interface engineered for inspiration, get ready to create and destroy. From subtle warmth to sonic mutations, everything is possible with Trash.
Take mangling your audio to the next level. Combine the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation. Give your low end some thump, get a warm crunch on the midrange, and let your high end soar. Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more.
Introduced to a fresh concept: the Foley-and-music fusion library. A great idea made real by a talented producer, Kitchen Things is by turns coolly esoteric, compellingly weird, and laugh-out-loud funny. On Foley V2: Trash, we’re treated to the same formula: loops (80, delivered at 130 and 200 BPM) and one shots (42 to be exact) The main draw is percussive impacts on cans, buckets, bottles, and more. These thuds, thumps, booms, clangs and ratchets, all made by striking household objects with hands and sticks, sound deep, round and rich, and are graced with great, highly detailed transients—they are, in fact, musical. The beats made with these sounds are just plain groovy, with a vibe and sparkle that, again, perfectly speaks the language of music—trash music for sure, but so tight and sonically pleasing! Back to the main draw—impact sounds suited for both Foley and music—you can be equally comfortable dropping Foley hits on your timeline, importing the one shots into your drum sampler to make totally complete kits, or using the loops in your music as complete beats. In every case, you’ll be well on to some great sounds—bang on.
From radio rock to thrash metal and everything in between, Modern & Massive has you covered. Huge sounding drums, with tonnes of punch and low end.
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