CiNEMATiC Sci-Fi

P2P | 22 December 2025 | 592.49 MB

Introducing CINEMATIC Sci-Fi, a new sound effects collection that fuses Sci-Fi aesthetics with cinematic audio, providing a complete sonic toolbox for modern trailer, soundtrack and multimedia projects. Create explosive tracks with 380 pristine WAV sounds covering all the essential categories required to create a complete track that perfectly complement the sonic storytelling of contemporary Sci-Fi trailers and scores. Organized into 20 categories and 7 folders CINEMATIC Sci-Fi offers Cinematic Hits, Trailer Airlock Impacts, Heavy Energie Burst, Atmospheres and Moods, Micro Servo Movements, Exponential Reverses, Drops, Abstract Ui Trailer Elements, Micro Glitch and Stutters, Braams, Alarm and Leads, Tonal Metals, Futuristic Ping, Swells and more.

Fathom KONTAKT

Team ViP | 22 December 2025 | 1.68GB

Step out of the shadows with Fathom, a visceral Kontakt instrument crafted for producers, composers, and sound designers who want to push beyond the edge. Built from over 1.6GB of raw, sculpted audio and packed with 220 presets, Fathom delivers a world of gritty textures, corrupted atmospheres, brooding pulses, and fractured tonal elements. Fathom merges experimental sound design with intuitive control. From haunting cinematic beds to mechanical drones and tension-filled sequences, every preset is engineered to evoke a sense of unease, scale, and futuristic decay. The Fathom Texture Designer is dedicated to creating evolving, organic textures with a strong cinematic impact within Fathom. It features over 270 sampled sounds arranged across three flexible layers, offering limitless sonic combinations. The instrument comes with pre-organized presets, enabling you to dive deep into expressive sound design right from the start. Each layer has its own dedicated sound-control section. Using the Learn Range function, you can assign a playable key range for each layer, allowing you to create either split-zone or overlapping configurations.

Odes v1.0.0 KONTAKT

HiDERA | 17 October 2025 | TORRENT:48GB

Narrative through rhythm

Compose living soundscapes with an eclectic ensemble driven by rhythm – Bridge musical traditions and harmonize instruments from around the world, like the shakuhachi and nyckelharpa, with smart tonal sculpting tools – Weave intricate tales by layering three instruments with up to three articulations apiece

1178 v1.5.4 MAC

GUiSEPPE | 01 June 2025 | 51 MB

Pulsar 1178 is an audio plug-in (VST3/AU) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.

CORROSiON v1.0.0 macOS

GTA | 13 January 2025 | 22.8 MB

…: AU, AAX, VST3 :…

CORROSION: Tonal & Noise Enhancer

A Powerful FX Engine For Unparalleled Grit & Texture. Explore New Dimensions of Audio Degradation. CORROSION is an FX plugin unlike anything we’ve done in the past. It’s essentially a powerhouse engine for grit & texture, allowing you to shapeshift any audio signal you feed into it. Whether you’re looking to add a gritty edge to your synths, transform your drums with rich tonal depth, or bring a unique flavor to any audio source… CORROSION delivers unparalleled grit & character for those who like to experiment with their sound. There’s a certain beauty that can only be found by degrading an audio signal, and that’s where this thing shines.

Basstard KONTAKT

PHiLOS | 12 January 2025| 905.47 MB

Bass Sampled to Destruction

Welcome to The Basstard, an instrument focused on recording the gradual destruction of a full-scale orchestral bass. The library contains four core categories of sounds: “Tonal”, “Percussive”, “FX” and “Grooves”. The tonal category covers traditional multi-sampled articulations like plucked, staccato, rubber mallet on strings, regular drumstick on strings, fork on strings, and other tools that could be used for tonal sampling. The percussive category contains a variety of heavy round-robin based articulations, playing the instrument like a drum kit (containing 6-10 round robin articulations). The FX category has a gruesome number of effects such as bowing the bass with a baseball bat, using a power drill on the strings, recording sustained notes from it, and actually power-drilling the bass and reconfigureing the instrument, separating its neck from its body and essentially reassembling the instrument in horrible ways. The Groove category contains unique tempo-synched grooves recorded at several core tempos (80, 90, 100, 110, 120, 130, 140). The result is a deep-sampled instrument that pushes the concept of orchestral bass into a more dark, gritty, percussive and disturbing territory.

Sculpt v1.3.0 macOS

MORiA | 07 March 2024 | 90 MB

SCULPT is built on top of four dynamic modules that run in parallel. Combined, these modules form the ultimate dynamics, tone, and transient shaping workhorse.