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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • 80s Tape Drum Machines WAV-UHUB
    August 9th, 2022 ⚡
    Categories: Audio Samples, WAV

    80s Tape Drum Machines WAV-UHUB

    80s Tape Drum Machines

    UHUB | 09 August 2022 | 14 MB

    The Tape version of “80’s Tape Drum Machines” a retro inspired collection including 6 of the most used PCM drum machines of the 80’s. All sounds were crafted recording the drum machines through analog tape and then sampled with state of the art A/D converters. This sample pack covers a wide range of genres such as: Synthwave, Chillwave, Chillstep, Vaporwave, Synth Pop, Disco/Nu Disco, Lo Fi Hip Hop, Electronica and more! What’s in the collection? – Linn Electronics LinnDrum – Sequential Circuits DrumTracks – Oberheim DMX – E-mu Drumulator – Yamaha RX5 – TR 707 86 x One Shots WAV 44.1 kHz, 24 bit.



    Viewed 8177 By Music Producers.


    • Tape Mafia Vol.5 WAV-FANTASTiC
      May 29th, 2022 ⚡
      Categories: Audio Samples, WAV

      Tape Mafia Vol.5 WAV-FANTASTiC

      Tape Mafia Vol.5

      FANTASTiC | 29 May 2022 | 31 MB

      ‘Tape Mafia Vol 5’ is the fifth release in the ‘Mafia’ drum series featuring over 115 saturated tape drum one-shot samples that encompass genres like Underground, Trap, Lo-Fi Hip Hop, Trip Hop, Boom Bap, Urban and more. This pack is filled with grime and wonder! Listen to soft and textured hi-hats, pumping kicks, and freshly designed warm punchy snares that can be used in all sorts of genres and styles of music production. ‘Tape Mafia Vol 5’ is for those looking for choice drum textures and dynamics.



      Viewed 13415 By Music Producers.


      • Maximal v2.3.0 WiN MAC LiNUX-R2R
        May 23rd, 2022 ⚡
        Categories: AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

        Maximal v2.3.0 WiN MAC LiNUX-R2R

        Maximal v2.3.0 WiN MAC LiNUX

        Team R2R | 25 April 2022 | 19.88MB

        VST • VST3 • AU • AAX

        Loudness Maximizer / Brickwall Peak Limiter

        Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.



        Viewed 14924 By Music Producers.


        • God Mode v2.0.1 WiN MAC-FLARE
          December 15th, 2021 ⚡
          Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

          God Mode v2.0.1 WiN MAC-FLARE

          God Mode v2.0.1 WiN MAC

          FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

          ..:: VST, VST3, AU, AAX, x86, x64 ::..

          The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



          Viewed 21922 By Music Producers.


          • Goliath 2 v1.5.0 AAX AU VST x86 x64 WiN MAC-R2R
            October 24th, 2021 ⚡
            Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

            Goliath 2 v1.5.0 AAX AU VST x86 x64 WiN MAC-R2R

            Goliath 2 v1.5.0 WiN MAC

            Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

            PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

            Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.



            Viewed 13662 By Music Producers.


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