STN L-401 Vintage Console NEBULA
Team ARCADiA | 14 September 2024 | 188.96 MB
Vintage 1960’s American console path. Discrete circuitry, with transformer character.
Viewed 8138 By Music Producers & DJ´s.
Vintage 1960’s American console path. Discrete circuitry, with transformer character.
You get all six of the DruMM modules and each module carries all the primary drum samples you would expect: kicks, snares, claps and hi hats and every octave has 2 kicks, 2 snares, 3 hi hats and one clap assigned to it along with the additional samples. This allows for each octave to carry a separate drum kit, so that means you get 5 individual mini drum kits per module plus all the other samples spanned and ready to ‘hit’. These modules can then be layered to create seriously vast and expressive drums. Each and every DruMM module has been produced with specific M/S and phase cancellation processes to ensure that there are no frequency clashes, summing and cancelation when used for layering purposes. The whole purpose of DruMM is to afford you the freedom and scope to maul any sound in any way you see fit. For this reason alone we have developed the tools that any drum and beat producer will want at their fingertips.
Hardware samplers AD/sample/DA signal paths can add grit or presence to whatever they process (depending how hard they are driven). A common quality found in countless Electronic & HipHop productions. Captured via Lynx conversion
Three Vintage audio transformer stages. UTC Transformers are used in many classic analog designs. (Example vintage Universal Audio). They are a large part of analog sound & character. They modify frequency/transient response & add mild saturation.
Recreation of the legendary Rev A. Blue Stripe (not to be confused with the more common Rev B. Blue Stripe). Only 100 hundred or so ever made it out of the factory & who knows how many are still in existence. Faithfully recreated input/output transformers. (unlike reissues) 15 different hardware modes/programs captured @ 24/96.
A rare set of Vintage EQ-259-A Filters. The same filters found in numerous 1950/60′s “motown” era consoles. Unique resonate cutoff. Captured via Lynx conversion @ 24/96.
A pristine tube gain stage. Captured from a boutique VARIABLE MU mastering tube compressor known for it’s smooth boost characteristic. Eight vacuum tubes & custom transformers are behind this finished sound. Great for track, bus, & mastering duties.