Stereo Imaging TUTORiAL
P2P | 18.07.2017 | MP4 | 362.79 MB
Duration: 20 min 15 sec
Do you want to know how to improve your master imaging? We’ve got the solutions!
Viewed 2744 By Music Producers & DJ´s.
Do you want to know how to improve your master imaging? We’ve got the solutions!
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models, with some added features such as noise reduction and wide stereo control for each individual freq-band. The DNX-03 is able to split the incoming signal into three frequency-bands using a 6dB per octave crossover. First-order filters are considered by many audiophiles to be ideal for crossovers. Each band is passed through a compressor and then through a stereo processor where compression,gain and stereo image can be altered and improved. The outputs of the compressors and processors are then re-combined and fed to the master output.
TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver an exceptional musical flexibility and audio fidelity. Behind an intuitive user interface hides as staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access over tone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.
ToStereo is a simple mono to stereo audio signal converter. It helping you to breathe new life into your digital audios mono, flat and dull. You can fine-tune the stereo width.
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
As you’d expect from a library labeled “room tones”, the sounds come without much action in the foreground to provide a very clear and detailed acoustic image of each room, giving you the perfect background noise layer to break the silence in your post production project. The recorded rooms vary from hallways and warehouses over cafes, offices, basements, apartment rooms, laundry and boiler rooms to industrial rooms and even an underground bunker. ROOM TONES USA covers all different scenarios you could possibly need, delivered fully surround with unprecedented precision, spatial impression and clarity.