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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • ABJ v3.5.0 WiN MAC
    May 31st, 2022 ⚡

    ABJ v3.5.0 WiN MAC

    ABJ v3.5.0 WiN MAC

    P2P | 02 May 2022 | WiN+MAC: 5.99 GB

    …::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::…

    ABJ aim to bring the Fender Jazz Bass sound to your studio.

    Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.



    Viewed 10363 By Music Producers.


    • Amplifikation Clarent v1.0.0 WiN-R2R
      May 27th, 2022 ⚡
      Categories: AAX, Audio Software, VST, VST3, x64, x64, x86, x86

      Amplifikation Clarent v1.0.0 WiN-R2R

      Amplifikation Clarent v1.0.0 WiN

      Team R2R | 13 Jan 2021 | 443MB

      PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

      3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!



      Viewed 13473 By Music Producers.


      • KORG M1 v2.3.2 AU VSTi STANDALONE macOS-MORiA
        May 25th, 2022 ⚡

        KORG M1 v2.3.2 AU VSTi STANDALONE macOS-MORiA

        KORG M1 v2.3.2 macOS

        MORiA | 25 May 2022 | 78 MB

        ..:: AU, VSTi, STANDALONE :::.

        Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.



        Viewed 35372 By Music Producers.


        • KORG Polysix v2.3.1 AU STANDALONE VSTi macOS-MORiA
          May 25th, 2022 ⚡

          KORG Polysix v2.3.1 AU STANDALONE VSTi macOS-MORiA

          KORG Polysix v2.3.1 MAC

          MORiA | 25 May 2022 | 14.6 MB

          ..:: AU, VSTi, STANDALONE :::.

          The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility



          Viewed 13611 By Music Producers.


          • KORG MonoPoly v2.3.1 macOS-MORiA
            May 25th, 2022 ⚡

            KORG MonoPoly v2.3.1 macOS-MORiA

            KORG MonoPoly v2.3.1 MAC

            MORiA | 25 May 2022 | 17.1 MB

            .: AU, VST2i, STANDALONE :.

            The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.



            Viewed 14776 By Music Producers.


            • KORG MS-20 v2.3.1 AU STANDALONE VSTi macOS-MORiA
              May 25th, 2022 ⚡

              KORG MS-20 v2.3.1 AU STANDALONE VSTi macOS-MORiA

              KORG MS-20 v2.3.1 MAC

              MORiA | 25 May 2022 | 47.91MB

              Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.



              Viewed 11904 By Music Producers.


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