Places WAV

FANTASTiC | 10 June 2019 | 1.97 GB

Places Ambience Library supplies you with 111 common or familiar locations from Airport to Zoo. Placing focus on locations with human involved or created environments such as public spaces, event gatherings, and public service infrastructures. Ambiences last from 1-2 minutes in length for use in any place to create a setting or local. 44k/24bit Soundminer enabled.

Intergalactic FX WAV

FANTASTiC | 06 June 2019 | 368 MB

“Intergalactic FX” is Packed with over 464 MB of various sounds & loops this pack is entitled to match the highest standards and needs of producers worldwide.  Including 5 Folders with atmospheric Spaces, cosmic Pads, Alien FX, Impacts and Riser in cutting edge quality, recorded using the finest equipment, composed and selected with the highest artistic claim.

Spaces WAV

FANTASTiC | 17 January 2019 | 2.2 GB

Spaces provides ambient, experimental, organic, cinematic, chill, emotive, moving loops and musical ideas. What’s included in Spaces? Spaces includes 344 professionally crafted loops and expressive sound designs. Find eons of sonic dimensions, all guaranteed to ignite your creative output. The average loop length of Spaces is 16 bars. Additionally, 16 epic odysseys are included, all of which are over 100 bars in length. Make Great Music… Spaces takes the traditional sample pack to unprecedented levels through LP24’s attention to detail and unique blend of gear, and sound-creation proficiency. We left no stone unturned, using both analog and digital greats such as the Alesis Andromeda (Spacey, right?) Moog Voyager XL, Korg MS20, Dave Smith OB-6, Roland Juno 106, Roland JP8000, Novation Supernova, Eventide Space, Eventide TimeFactor, Strymon BlueSky, various Moogerfooger pedals, acoustic guitars, bells, vocal recordings, custom CDP Batch processors, etc etc…

R0Verb v1.0.0 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 2.9 MB | OSX: 7.3 MB

AU, AAX, VST, VST3, x86, x64

Multi Delay Spaces

This audio effect filter is a hybrid between a simple reverb and a very complex delay. R0Verb consists of up to 50 separate delay lines, and puts you in charge of every single delay with controls for volume, pre-delay, feedback & high shelf. It can be used for everything from simple delays to complex spaces, whatever your mix needs. It also has a nice Randomizer if you’re feeling lucky!

Haunted Spaces v1.1 KONTAKT

FANTASTiC | Feb 03 2018 | 6.16 GB

The idea that certain places take on the weight of past events is familiar to all of us. Renowned field recordist has spent years collecting audio recordings from such places in one of his most personal projects. Ancient Temples, Ice Lagoons, Cold War Bases, Abandoned Silver Mines, Power Stations, Cathedrals, Canyons, Underwater Tunnels, Deserted Art Galleries and Maori Burial Caves all feature in this unique collection of recordings.

Frose Synth Spaces Vol.1 WAV

FANTASTiC | 06 July 2017 | 785 MB

Here it is – the quintessence of classical, synthesized sound spaces with diverse ambiences brought by our befriended producer – Frose. This collection delivers large volume of experimental, modulated sounds and melodic soundscapes saturated with analogue instruments. Each recording has two versions – normal and with mixed drum track. The particular layers of drum tracks as kicks, claps, snares, hihats, shakers and others are at your disposal. This is why ‘Frose Synth Spaces’ can be used very widely – from film music in it’s classical form to the electric, experimental, ambient and industrial one. It depends what is needed in certain situation. You can use only synth samples or just drum tracks or/and mix them together and creating something new.

EWQL Spaces Impulse Response Library

P2P | 09 May 2017 | 381 MB

QUANTUM LEAP SPACES is a 24-bit, true stereo. convolution reverb that sets a new standard by utilizing new impulse recording techniques developed over the past seven years. An arsenal of the best gear that Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, TG (to name a few) have produced over the past 60 years was used to create QUANTUM LEAP SPACES. ATC monitors were positioned in the room/hall to emulate the real world sound projection properties of various instruments. So an impulse taken for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section impulses were taken by firing a series of speakers at an angle towards the ceiling, just like a real section. A fifth speaker with the high end reduced was fired towards the floor to emulate the body of the violins. This same methodology was used to record reverbs for rock instruments in various LA studios. Because of this, the reverbs in QUANTUM LEAP SPACES have a fantastic balance of early reflections and room sound that really draws a dry instrument into the space, rather than the usual “sound plus reverb” result.