Sound & Vision is at the forefront of the ever-changing, always dynamic world of electronic entertainment. Authoritative and accessible, written with insight and humor, Sound and Vision is the preeminent source for consumers of home theater, audio, video, and multimedia products.
The Thin Blue Line by BZC is a new cinematic sound library perfectly designed to suit war film scenarios: This downloadable sample pack contains backgrounds and ambiences, orchestral and oriental sounds, pure female vocals, explosion sounds, weapons sound effects and much more. It’s a must-have for producers and sound designers for film, TV, Ambient and video game musics. Now added to the releases of BZ Coporation, The Thin Blue Line pushes back the limits of composers with an amazing Cinematic sound library. Divided in 4 folders ( hits, instrument phrases and atmospheres, sound effects and textured vocals ), this sample pack is loaded with a precise choice of sound effects, i.e. rocket and gun shots, after-battle ambiences, tank explosions in background, moods, bomb and cannon blasts. This new royalty free sound bank also gives you a solid base for composing pieces with high atmospheric content. Furthermore you will find sophisticated female vocal samples which provides an overload of emotions. This Cinematic sound collection will provide the primary emotional connection to your visual imagery. Now you will be armed with a wide choice of audio tools never heard anywhere else before.
Shaping Your Sound with Signal Processing teaches you to understand compressors and gates and how to use them to shape the dynamics of any instrument by emphasizing or release of each note. You learn how to create custom flanging,delay, phasing, echo, and chorusing effects and when to use them (and not to use them) in your recordings. You also learn to use your EQ to open up the sound of your recordings and make room for each instrumental texture while discovering various types of EQ curves and devices with the techniques professional engineers use to shape the space where the sound happens!
“What’s good people! We decided to throw together some kick drums, basses, and a bunch of other tings that you can mess about and make some sick tracks with. These are some of our favourite sounds we’ve used in our own tracks. We’ve always encouraged originality and authenticity, so we hope this helps in your quest to becoming a top producer rudeboy. Bless” – Stööki Sound
This course provides an introductory overview of audio synthesis and visual programming using Native Instruments’ Reaktor Software. Students will receive an in-depth look into various audio synthesis methods, including: additive, subtractive, sampling, wavetable, physical modeling, and granular synthesis, as well as the various types of modulation synthesis. Students will also learn about the history of the synthesizer and electronic music, and will take a look at many of the current sound design trends in electronic music.
Studio Akustik optimieren +++ 3-Wege-Monitor mit AMT-Hochtöner +++ 3D-Mikrofon +++ Tor zum Mixing-Multiversum +++ Bruno Mars +++
This next course in our exclusive Dance Music Sound Design series jumps right up to the top. It’s all about vocals. Multiplier AKA Adam Pollard is back with this “top line” course to show you some killer vocal tips! In dance music, vocals often take on their own unique sound quality. They can be heavily processed, sampled, re-sampled and manipulated in all kinds of creative ways to make them seamlessly fit into the swirling, pulsating world of electronic dance music.
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