ReeLight v2.0.0 WiN MAC

Team R2R | May 02 2019 | WiN: 100 MB | OSX: 14.4 MB

PLATFORM : WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Reelight is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation / compression and overall sound and vibe and was created using own proprietary RTT technology (used in valvesque).

Cascade v1.1 MAC

TEAM R2R | 15.02.2019 | 18.21 MB

PLATFORM : MacOSX – AU/VST/VST3

Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding.

REAMP v1.0.1 WiN MAC

Team R2R | 22 Dec 2018 | WiN: 6.6 MB | OSX: 21.4 MB

AU, AAX, VST, VST3, x86, x64

Audio Gear Modeler

Analog gear simulation with a unique & efficient spectral saturation algorithm. REAMP is a complex spectral saturation processor, simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The seven models available are based on real analog gear, individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. A four-band spectral drive allows you to let the unit work even more. With several models available, REAMP can be used on almost any type of audio in any genre. The character can span from lo-fi to professional high-end gear. One approach can be to put it on a bus, or a whole mix. Another is to put it on several tracks with a more subtle setting, which makes the essence of the simulated gear add up.

CS-3301 v1.5.1 WiN

TEAM V.R | 24 June 2018 | 4.05 MB

PLATFORM : WiN32/64 – VST/VST3/RTAS/AAX*

CS-3301 is a channel strip plugin with gate, EQs, compressor, saturation and oversampling. The (noise) gate suppresses noise or any other signal below a certain level. CS-3301 comes with 7 independent filter shaping the sound accurately.The compressor controls the dynamics of the signal. The VU meter monitors level of input/output signal and gain reduction of the compressor.

Saturation & Distortion TUTORiAL

P2P | 11.07.2017 | MP4 | 197.24 MB

Duration: 21 min 31 sec

Learn how to create warm and analog sounds with use of digital plugins!

Slam Pro v1.2 WiN MAC

Team R2R | 03 Jun 2017 | MAC: 100.4MB | WiN: 16.6 MB

SLAM PRO is a Mix Phattener Processor with control over the Bass Section, Presence and Air, Compression, Saturation, Stereo Width and Loudness of your track. All these sections of this amazing plugin come with selections for different “Flavours”.  All musicans and producers have different taste and different genres of tracks that they create, hence we created the ultimate channel strip with 3 knobs for controlling the Sub Bass, Thump & Low Boom of the channel or mix, there are 3 Flavours of Heat ( Saturation ) , 3 types of AIRZ or High Frequency & presence control.., 4 types of POP Compression suitable to the entire mix and drums/instruments/ synths & sampler sounds. Crush Limiter and Loudness maximizer.

Saturation Knob v2.1.59 VST AAX WiN

AN0NYM0US | 05.01.2015 | 10.3 MB

The Saturation Knob is a modeled output distortion that can be used anywhere you need some grit. Use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop. The three modes, Keep High, Neutral and Keep Low give you three kinds of characters of distortion. If you want to squash a drum loop but keep the bass drum fairly intact, you can for example use the Keep Low mode