Beatstation plays Percussion Pads, Lead Instruments and Melodic Bass. It uses a flexible and skinnable open playing surface, records samples, supports external samples, MIDI Grooves and REX Files. Beatstation harnesses the power of percussion samples and melodic instruments in one virtual instrument.
GURU takes the best features of hardware beatboxes, drum samplers and loop manglers, and combines them into a unique, inspirational software instrument. Whether integrated in to your DAW or running standalone, GURU’s powerful sequencer with ultra tight timing and realtime groove adjustment is an intuitive and addictive interface with which to quickly write inspiring rhythmic foundations for your tracks. High-quality built-in effects, including compressors, EQs, delays, reverbs are available right under your fingertips, as well as sample manipulation capabilities like reverse, bitcrusher, and resonant filters – all the power you need, whether you want to mangle your sounds or just tweak them. GURU gives you the hands-on feel which you crave… record performances with a MIDI controller, mouse or laptop keyboard, fire off sequences with a single keypress, drop parts in and out, chop loops instantaneously, and switch grooves on the fly – all with sample accurate timing. GURU is a complete beat production worksation environment, ideally suited to live use or for fast, intuitive composition in the studio or on the road.
Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both. Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.
The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.
KikAxxe is a faithful emulation of the ARP Axxe analog synthesizer that descended from the venerable ARP 2600 in the mid ’70s. Play it from a MIDI controller or the integral Sequencer +, an emulation of the ARP step sequencer that contributed to the signature sound of artists like The Who, Depeche Mode, 808 State, Vince Clarke, Jean-Michel Jarre, Billy Currie of Ultravox and Visage, and filmmaker John Carpenter. This combo gives you a powerful tool for creating distinctive synth bass lines. And to enhance lead lines and effects, KikAxxe also includes an emulation of the unique sound of the Echoplex—the original tape delay device that preceded digital delay units.
MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
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Harmony Explored TUTORiAL SYNTHiC4TE | 15 December 2014 | 457 MB When Dream Theater’s keyboard wizard teaches a course about rock & pop harmony, it’s time t...
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