Smart:EQ 2 enhances detail, clarity and transparency of your mixes after only a few tweaks. Experience a mixing workflow faster than ever before.
smart:comp is the latest addition to the line of A.I. powered plug-ins. This unique spectro-dynamic compressor finds the parameters for well-balanced compression results in just a few seconds. Through frequency-selective processing, smart:comp also ensures unparalleled transparency. With this multidimensional approach, compression has evolved to the next level. smart:comp is the synergy of intelligently enhanced time-domain compression and trailblazing spectral compression. Behind the user-friendly and intuitive interface of this new plug-in, runs the smart:engine – an A.I.-based, content-aware system designed on the basis of psychoacoustic principles as well as extensive hands-on mixing experience. The time-domain compressor recommends the most appropriate settings for threshold, ratio, attack and release with a single click, as the spectral compression dynamically keeps an eye on the tonal balance of the input signal.
This plug-in will balance your audio tracks in just a few seconds.
MEET YOUR NEW BASS PLAYER: We are proud to introduce the market’s first bass software of its kind. One that goes above and beyond a traditional sample library to deliver not only pristine sound but also fundamental features that effortlessly let you to add bass to your songs.
More than only supersaws – discover unsuspected sound facettes of your JP6K. The Experience soundset is loaded with 64 high-end sounds, containing grinding basses, super-fat lead sounds, followed by delightful pads and plucks up to juicy synth sounds. For every trance producer and supersaw fan a real must-have! There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Roland was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.
DRC is a powerful synthesizer for Desktop and Mobile With a clean, minimal design focused on accessibility, the intuitive interface allows you to concentrate on creativity and control of your sound, free from visual distractions. “DRC Synth” features a modern looking, minimalistic interface with several different colour variations to choose from and has been designed to be as accessible and uncluttered as possible… it is very easy to use. It also features a cloud-based preset management system, which means that sounds to be shared across all available platforms. DRC Synth works equally well for everything from analog-style pads and lush textures to crazy sound effects and stonking basses. With up to eight voices, each with two oscillators, a ring modulator, sub oscillator and noise, DRC is a beefy and versatile subtractive synth (more on these shortly). The integrated and intuitive chorder makes it easy to instantly get the most out of your polyphonic synthesizer, by experimenting with powerful chords.
K7D is a powerful and affordable, vintage tape delay effect plugin for both desktop and iOS. K7D recreates the hardware echo machines of the past using Imaginando’s signature style of obsessive analog emulation, but with an enhanced level of control from a sleek, modern interface. Using this approach allows a whole new world of creative possibilities, while still retaining a warm, full-bodied analog sound, bursting with character and personality.
Melodyne is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie. You can modify each note and thereby influence directly the intonation, phrasing and dynamics – and do this not only with vocals and monophonic instruments but with polyphonic instruments such as pianos and guitars as well. Working with Melodyne is like being able to say to a vocalist “sing this note a bit longer” or to a pianist “give slightly less weight to the third in this chord” – hours, weeks, even years after the recording session.
TX16Wx Software Sampler is a sampler plug-in with professional features and an easy to use graphical interface. Built to mimic the best aspects of hardware samplers, but with the quick and easy operation of modern software. An instrument not for preset players, but people who enjoy making, tweaking and playing their own samples.
Cycling ‘74 has released version 8 of Max and the company is calling it “the closest thing to a mind-expanding drug Max has ever had”. The visual programming language has taken on a raft of new improvements in the latest iteration, most notably the introduction of the new MC. objects. MC, we’re presuming, stands for multi-channel and Cycling ‘74 is sure it will “transform how you imagine sound design”. It makes patches with 100 channels of audio look as simple as those with a single channel. It seems MC will give you the ability to manipulate multiple audio channels and operations with fewer objects. Much of the development in version 8 has been focussing on performance. Cycling ’74 now claim that Max will launch 20 times faster on Windows than before and load patches up to four times as quick. Performance as a whole is improved, with complex UI operations being significantly more responsive. Another big update is the ability to control your patches with hardware, without the need to patch. In the new Mappings Mode, you can assign physical controls to your patch in just three steps; simply enter Mappings Mode, select a slider and then move your controller – done.
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