MEET YOUR NEW BASS PLAYER: We are proud to introduce the market’s first bass software of its kind. One that goes above and beyond a traditional sample library to deliver not only pristine sound but also fundamental features that effortlessly let you to add bass to your songs.
RMX-500 Plug-in is a plug-in software application. To use this software, the plug-in must be running within a host application supporting the plug-in (VST or Audio Units). By using RMX-500 Plug-in, the same effects as during DJ performances can be used on a music creation application. In this way, the RMX-500 can be connected to a computer and used as a controller, so the various functions can be used to create music intuitively, in the same way as when holding DJ performances.
Cycling ‘74 has released version 8 of Max and the company is calling it “the closest thing to a mind-expanding drug Max has ever had”. The visual programming language has taken on a raft of new improvements in the latest iteration, most notably the introduction of the new MC. objects. MC, we’re presuming, stands for multi-channel and Cycling ‘74 is sure it will “transform how you imagine sound design”. It makes patches with 100 channels of audio look as simple as those with a single channel. It seems MC will give you the ability to manipulate multiple audio channels and operations with fewer objects. Much of the development in version 8 has been focussing on performance. Cycling ’74 now claim that Max will launch 20 times faster on Windows than before and load patches up to four times as quick. Performance as a whole is improved, with complex UI operations being significantly more responsive. Another big update is the ability to control your patches with hardware, without the need to patch. In the new Mappings Mode, you can assign physical controls to your patch in just three steps; simply enter Mappings Mode, select a slider and then move your controller – done.
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
For over 100 years, music has been recorded on mechanical storage mediums, and for over 100 years such recordings have been plagued by the same problems: wow and flutter. Who isn’t familiar with the wobbling and warbling, the droning and dragging? Mechanical degradation caused by defective devices or sticking tapes, by aging or defective storage. Furthermore, wow and flutter were for the most part irremediable. Countless recordings of renowned orchestras, big bands and rock groups are currently slumbering deep in archives because precisely this problem has rendered them unusable. The tapes worthless, the recordings lost to posterity. Until now. For with Capstan there is now for the first time a program capable of removing wow and flutter from musical recordings – whether on tape, compact cassette, wax, shellac or vinyl. Capstan detects wow and flutter by analyzing the musical material itself, so the medium is of no relevance. In this, Capstan is clearly superior to solutions such as bias tracking, because Capstan still works even if the tape has already been copied several times or digitized only in low resolution. Being musically intelligent, the Capstan algorithm is capable of recognizing not only the minutest amounts of wow and flutter but also continuous speed variations within the musical material itself and makes possible detailed editing that extends even to drawing in the curve manually. It is based on the patented DNA Direct Note Access technology made famous by the award-winning program Melodyne, which is used worldwide in all major studios for the editing of pitch and timing.
Smart:EQ 2 enhances detail, clarity and transparency of your mixes after only a few tweaks. Experience a mixing workflow faster than ever before.
smart:comp is the latest addition to the line of A.I. powered plug-ins. This unique spectro-dynamic compressor finds the parameters for well-balanced compression results in just a few seconds. Through frequency-selective processing, smart:comp also ensures unparalleled transparency. With this multidimensional approach, compression has evolved to the next level. smart:comp is the synergy of intelligently enhanced time-domain compression and trailblazing spectral compression. Behind the user-friendly and intuitive interface of this new plug-in, runs the smart:engine – an A.I.-based, content-aware system designed on the basis of psychoacoustic principles as well as extensive hands-on mixing experience. The time-domain compressor recommends the most appropriate settings for threshold, ratio, attack and release with a single click, as the spectral compression dynamically keeps an eye on the tonal balance of the input signal.
This plug-in will balance your audio tracks in just a few seconds.
More than only supersaws – discover unsuspected sound facettes of your JP6K. The Experience soundset is loaded with 64 high-end sounds, containing grinding basses, super-fat lead sounds, followed by delightful pads and plucks up to juicy synth sounds. For every trance producer and supersaw fan a real must-have! There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Magesy® was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.
DRC is a powerful synthesizer for Desktop and Mobile With a clean, minimal design focused on accessibility, the intuitive interface allows you to concentrate on creativity and control of your sound, free from visual distractions. “DRC Synth” features a modern looking, minimalistic interface with several different colour variations to choose from and has been designed to be as accessible and uncluttered as possible… it is very easy to use. It also features a cloud-based preset management system, which means that sounds to be shared across all available platforms. DRC Synth works equally well for everything from analog-style pads and lush textures to crazy sound effects and stonking basses. With up to eight voices, each with two oscillators, a ring modulator, sub oscillator and noise, DRC is a beefy and versatile subtractive synth (more on these shortly). The integrated and intuitive chorder makes it easy to instantly get the most out of your polyphonic synthesizer, by experimenting with powerful chords.
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