Essential Gear for Mobile Recording TUTORiAL

P2P | 26 July 2014 | 213.07 MB

No longer is your musical creativity confined to the walls of a recording studio. Today with a little planning and the right gear, you can record audio whenever and wherever you want. Two-time Grammy nominated recording artist and musician Carmen Rizzo shows you all the audio gear necessary for on-location recording. PLUS, Carmen shows you that it can all fit into two carry-on bags you can stow into the overhead compartment of most major airliners. Learn valuable tips from a seasoned pro about the best way to travel light without sacrificing any of your audio recording quality.

Sound Recording Audio Concepts TUTORiAL

SYNTHiC4TE | July 12 2014 | 159 MB

Recording is easy, right? Just hit the button and BOOM, you’re an engineer! But what is actually happening? Watch this course by Joe Albano and learn the science of recording! Sound recording starts with the sound itself. Whether it’s an electric guitar or human voice, it all begins with a vibration that needs to be properly captured. That’s why having the knowledge of the science of recording is essential for audio engineers at any level. This animation and graphic-filled course, by audio engineer and educator Joe Albano, serves up all the the audio facts you need to know to help you become a better engineer and producer.

Cubase 5: Recording and Mastering

VTC | 2009-04-30 | 160 MB

Running Time: 2 hrs / 26 tutorials

Steinberg’s Cubase 5 is highly regarded as one of the best, and certainly one of the easiest to master, digital audio workstations. In this course, seasoned Cubase expert Mark Struthers teaches students how to record a song in its entirety before going on to mix and master the final tracks. Work Files are included so students can create their own version of the song. To begin learning MastrClass! – Cubase 5: Recording and Mastering, click on one of the topics.

Keyboard Recording N 297 – Juillet-Aout 2014

French | HQ PDF | 100 Pages | 100 MB

Le magazine de la création musicale ! Suivre l’évolution du matériel et des techniques d’enregistrement, découvrir des conseils et astuces pour progresser vite et bien (quelque soit le niveau, le style de musique ou l’équipement) : cest la promesse de KR!

MTF Recording & Mixing 2014

PDF | 132 pages | 30.5 MB

Assembling and mixing your core sounds are the most dramatic processes in music production, and we’re focussing on both processes here. Recording sounds from the outside world – that is drums, vocals and so on – into the comfortable and safe environment of your DAW can be a tough ask. But we’ve broken it down – both in terms of how you set up your recording session outside of your computer and how to set up the session within your computer – with special tutorials and workshops on both external and internal recording.

Keyboard Recording 296 – June 2014

French | 100 pages | HQ PDF | 64.2 MB

Keyboard Recording Home-Studio – le magazine de la création musicale ! Suivre l’évolution du matériel et des techniques d’enregistrement, découvrir des conseils et astuces pour progresser vite et bien (quelque soit le niveau, le style de musique ou l’équipement) : c’est la promesse de KR!

The Synthesizer: A Comprehensive Guide to Understand

English | 2014 | 428 pages | EPUB | 40 MB

Programming, Playing, and Recording the Ultimate Electronic Music Instrument

Suitable for existing synthesists and newcomers to the industry; teachers, professors, and students in universities, colleges, high schools, and middle schools who are interested in electronic music; and manufacturers, dealers, consultants, journalists, authors, owners, performers, composers, improvisers, engineers, producers, and recordists in the electronic-music and electro-acoustic industries. Electronic music instruments weren’t called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen’s development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices.