TCC Plugins Collection WiN
Team R2R | 23 December 2024 | ~900MB
At TCC we design tools. Tools for human operators. Tools for Post Production, Sound Design and Music.
Viewed 15919 By Music Producers & DJ´s.
At TCC we design tools. Tools for human operators. Tools for Post Production, Sound Design and Music.
Hello URM students! For those of you who don’t know me, I have been a producer for over 15 years and worked with bands like Machine Head, Attila, and Vinyl Theater among many, many others. I’m a co-founder of URM Academy and Drumforge, and I’m told that I have the strongest jacket game in the business! I’m very excited to share this Fast Track with you which goes into extreme detail about all the post-production techniques I’ve developed over the years, from glitches and chops to effects like bitcrush and the lofi sound you’ve heard on many metal and metalcore records. These can be incredibly effective ways to add interest, energy and dynamics to a song, and by the time you complete this Fast Track you’ll have a huge bag of tricks at your disposal.
TS2 sets a new standard in digital audio editing. It is a powerful audio toolbox application for professionals to edit or magically transform, time-stretch and manipulate audio files. TS2 has been re-designed from scratch thanks to the amazing feedback and requests collected by users over the years. It processes an accurate real-time sonogram display and handles full automation over the “Master Module” with multi-format plug-in insertion. As a full mono/stereo audio editor. TS2 can edit any audio regions (Copy, Cut, Paste), transpose, “Transient Design”, and offer remix, extensive mastering capabilities and much more with unprecedented accuracy. The TS2 application is a comprehensive suite of tools focused on the acclaimed SuperVP Engine to process complex audio editing tasks that includes full automation of parameters such as; Pitch, Transposition, Time Stretching, Remix Noise, Sinus & Transient. TS2 also supports the hosting of 3rd party external VST/AU effects from plug-in manufacturers. Post-production professionals, audio engineers, sound designers, musicians and video editors alike use TS2 to transform recordings into production-ready audio files.
Learn Post Production Secrets from Award Winning TV Composer Eddie Grey to take your production value to the next level! In this course we go through a crash course in production technique to make a finished track sound that much better. These techniques could be used in the mix or after the fact like shown in this course. Either way, Eddie will show you how to utilize stutter edits, tape stop effects, and even transient shapers to give your track that secret sauce!
Join Gabby in this class, where she will cover all the key aspects of post-production sound and take you through the basics of audio editing and creation. Learn about the key areas of sound post-production and be one step ahead throughout your own projects. Practice industry-standard workflows and techniques and start your journey into sound design by understanding how basic elements can be combined to create a full sound world. This course is aimed at filmmakers of all levels, but particularly those who wish to understand how sound works at a basic level during the post-production stage and how they can get the best results every single time. The class is also aimed at beginner sound specialists who want to develop a robust foundation of audio workflow and know how to work with editors, directors, musicians and other important members of the filmmaking process.
Did you know Resolve does more than just color grading? In this class I’ll show you the range of tools and features Resolve has beyond just color. This class is for anyone who creates any type of video production. From beginner to pro, if you’ve never used Resolve on one of your productions this class will take you from creating a project to delivery.
No more amateur sound! Professional Sound post production for your film, documentary, interview, clip… It’s not enough to remove some noise and tweak the volume of music to match dialogue to call it Sound Post-production. Do you know why most film and documentary submissions to festivals get rejected: AMATEUR SOUND! 50% of your film, documentary, interview, or clip is Sound, and at least 70% of emotions are in Sound. It’s a pity to spend so much time and money on the image of a project that will eventually be considered amateur of low quality, because of Sound. You will learn professional Sound Post-production, even if you are a one man band filmmaker.