GF240 Plate Reverb WiN

Team R2R | 07 November 2025 | 61.9MB

Introducing the GF240 gold foil plate reverb, a faithful recreation of five units of the deep and haunting EMT 240 gold foil plate reverb, first introduced in 1971. Following the success of the famous 140 steel plate reverb, German manufacturer, EMT, released the model 240 gold foil plate, which sported a much smaller form factor and with a distinct character all its own. Like its real world analog, the Iconic Instruments GF240 is a followup to the Iconic Instruments SP140 steel plate reverb (modeled after the the original EMT 140), and both plugins share the exact same layout and feature set. Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the GF240 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation.

SP140 Plate Reverb WiN

Team R2R | 07 November 2025 | 69.6MB

The SP140 is a faithful recreation of five famous examples of the revered German steel plate reverb units, first introduced in 1957 and used ubiquitously on your favorite recordings throughout the 1960’s and 70’s, and even up until today. Powered by Gorilla Engine, and made in collaboration with Numerical Sound, the SP140 includes classic functionality, like a pre-delay control, send width, a filter section with high- and low-pass filters, as well as a shapable node, tail length control from a full 6 seconds down to a mere 20ms (much shorter than an analog unit) and a mix control with a convenient solo switch to preview only the reverberation. But the SP140 also sports some new twists to the original, like a 5-position density control that ranges from full-bodied plate sounds to a light, transparent wash without reducing the fullness of the reverb. Additionally, the drive feature gives you a classic tube-style distortion that you can apply pre- or post-reverb, and the high- and low-pass drive set screws allow you to place the distortion exactly where you want in the frequency spectrum. And finally, choose from a list of twenty carefully crafted presets that range from classic references to modern, or even abstract examples.

Prism Plate v1.0.1 WiN MAC

MOCHA | 14 April 2026 | WiN:78.2MB | MAC:276.1MB

Plates that bloom with color.

Prism Plate captures that timeless character of a plate reverb and bends it through a spectral lens. Reflections stretch, harmonics shimmer, and the reverb tail slowly blooms into color.

Lunar Lander v2.5.2 WiN

Team R2R | 15 March 2026 | 26.44 MB

Breathtaking bucket-brigade Device (BBD) analog delay, plate reverbs (3 sizes) and Class A and Class A/B saturation emulation plugin. Easy to use 3-in-1 combo guitar-like pedal. We all know the delicate tweaks needed to get a sound to “sit” in the mix. The name of this plugin, Lunar Lander, came about from the easiness of getting this task done. Primarily designed for guitarists or to tame your aggressive analog synthesizers to sit in the mix, but you will find it working well with just about any other sound source. Put it on your plastic sounding soft synth, and crank the saturation up, and transform your Chihuahua synth to a Dobermann Synth Try Tap Tempo your bpm and crank up the regenerate knob on the BBD Delay Module and get the track grooving. You can switch the signal path to go first through either the BBD Delay or Plate Reverb. Try Lunar Lander on Bass Guitar and get that larger than life sound. Do you want that 80s soaking reverb sound? Switch to Plate 3 and you are there in a second.

Dynamic Plate Reverb v3.1.9 WiN

Team R2R | 27 June 2025 | 8.8 MB

Dynamic Plate Reverb is an effect plugin that uses a physical model of thin plate vibration to recreate the classic sound of plate reverbs.

Transatlantic: Plate Reverb

Team GUiSEPPE | 10 February 2026 | 204 MB

PLATFORM: 64Bit – AU/VST2

New standard in Plate Reverb plug-ins modeled from the finest analog plates of Europe and The U.S. With 24 independent decay settings, and reverb tails that remain un-manipulated, preserving the natural sustain and stereo spread of the actual analog giants. Our Goal: was to make the absolute best recreations of the most legendary studio reverb plates that were produced in both Europe and in the USA in the 1960’s and 70’s. We had access to the finest possible examples of these 600+ lb analog giants as well as a top notch technical staff to get them in like-new condition. The plates were tuned and serviced inside, and out to optimize the performance and even surpass the original specs in some cases. We were actually able to acquire a six second decay time from our European plate…that’s a full second more than the original specification!

Plates of Legend Vol.4x NEBULA

Team ARCADiA | 13 January 2026 | 2.49 GB

This release of mine has recently been updated, and 10 taped plate reverbs which were ‘resampled’ onto and off of reel to reel tapes were added! I used 3 different decks at different speeds, providing some variety in tone. These do sound different from the main plate programs and in many cases you’ll probably prefer them! Here we have 2 more plate reverbs, sampled in stereo and with adjustable damper controls. The first one (I’ve named it Mercury) is another example of the most famous plate ever made (the same plate model I sampled four of for PoL 1 and 2). It’s the stereo model with the solid state amp, which I’ve already done two of (one each in PoL 1 and 2), but this one sounds very different from those two. As explained in more detail in the manual different plates even of the same model can sound very different, for a multitude of reasons.