Peakbuster v1.7 MAC

MORiA | 13 August 2024 | 17.63 MB

Peakbuster is an attack-phase boosting and harmonic enhancement AU, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plug-in that uses an advanced automatic algorithm. Peakbuster stands out from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, not “over the place”.

Peakbuster v1.6 WiN

Team TCD | 17 May 2023 | 11.37 MB

x64: VST3, VST2, AAX | x86: VST2 (VST3, AAX not exist)

Peakbuster is an attack-phase boosting and harmonic enhancement AU, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plug-in that uses an advanced automatic algorithm. Peakbuster stands out from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, not “over the place”.

Peakbuster v1.0 WiN MAC

Team FLARE | 15 June 2021 | WiN: 6.95 MB | MAC REPACK: 10.6 MB

..:: AAX, AU, VST, VST3, x86, x64 ::..

Peakbuster is an attack-phase boosting and harmonic enhancement AU, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plug-in that uses an advanced automatic algorithm. Peakbuster stands out from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, not “over the place”.