The PQ Mastering Equalizer is a fully parametric, dual-channel five-band equalizer, based on pioneering 120V rail technology. Able to switch between constant and proportional Q modes with the push of a button, this kind of circuit has not yet been achieved in any other analog equalizer.
NOVA GE is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, the plugin also includes a full featured dynamics section enabling NOVA to cover an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant answer. A user friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful signal processing. Elaborate equal loudness functions help finding the optimal setting without getting distracted by loudness differences. An extensive set of “Smart Actions” automatically generate sensible starting points according to the input; and further allow matching the spectra and dynamics matching of two different songs, approximating a pink noise distribution, or automatically finding and taming excessive resonances in recordings. NOVA GE includes a total of six dynamic EQ bands, each featuring high grade filters and independent dynamics processors being able to operate in linked, split, or various other configurations.
PLParEQ is a 10-band Phase-Linear Parametric Equalizer of the highest quality. Each filter may assume any of many different filter characteristics, and operate in either traditional phase-warping mode, or our phase-linear mode. It uses the same internal DSP core as all of our other high-end products. Audio streams are treated in either stereo or mono. Individual filters can be applied to either or both stereo channels, middle only, or side only. Phase Linear Operation is achieved by processing your sound in both the forward-time and reverse-time directions through classic filters – all in realtime. This completely removes the phase warping caused by IIR filtering, and applies their roll-off twice. So each filter type becomes two: one for classic IIR filtering, and the other for Phase-Linear operation.
Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.
Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs. Having the two combined in a single plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.
GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.
FreakQ is an analog inspired non-linear equalizer that embraces the power of your DAW while delivering the sheen and warmth of analog. Changing the gain on an EQ band adds harmonics to the signal. This feature makes FreakQ 305 a very powerful tool, using the “Scale” control can exaggerate the effects of FreakQ 305 quite dramatically.
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