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Magesy® R-Evolution™

  • GlissEQ v3.13 AU AAX VST VST3 WiN MAC-R2R
    28 June 2020
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    GlissEQ v3.13 WiN MAC

    Team R2R | 31 Dec 2019 | WiN: 8.5MB | OSX: 20.8MB

    Parametric Equalizer

    …::: HAPPY NEW YEAR!!! :::…

    GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.

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    15443 Views
  • TriTone-Digital HYDRATONE v1.xx WiN MAC
    22 May 2020
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    TriTone-Digital HYDRATONE v1.xx WiN MAC

    HYDRATONE v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

    AU, VST, RTAS, x86

    HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

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    14976 Views
  • NSEQ-2 v1.5 WiN-R2R
    14 February 2019
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    NSEQ-2 v1.5 WiN

    Team R2R | Feb 14 2019 | 33 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    The Millennia NSEQ-2 is a go-to parametric EQ for many of the world’s leading studios and mastering houses. Its unique Twin Topology design and pure Class A transformer-less circuitry offers a simplicity which yields a powerful, sonically neutral, analog EQ. The plugin version of the Millennia NSEQ-2 is a faithful digital model of this remarkable piece of ultra high-end hardware, brought to you by the modeling experts. This brings a state-of-the-art boutique EQ to your DAW.

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    3766 Views
  • Widening ParametrEQ v3.52 WiN MAC-R2R
    31 October 2018
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    Widening ParametrEQ v3.52 WiN MAC

    Team R2R | Oct 29 2018 | WiN: 6.7 MB | MAC: 24 MB

    PLATFORM : WiN32/64 – VST/RTAS/AAX | PLATFORM : MacOSX – AU/VST/RTAS/AAX

    Widening Parametr’EQ is a 7 bands parametric Mid-Side equalizer based on Parametr’EQ algorithms, enabling you to widen or narrow the frequencies of your choice. This special ‘widening’ version offers two independent equalizers for the mid and side channels with instant frequency response display. But Blue Cat’s Widening Parametr’EQ is much more than a standard mid/side equalizer, since it lets you choose the position of the virtual center for the Mid/Side matrix: you can really control where you want the equalization to take place in the stereo field. You can thus use this parametric mid/side equalizer for many purposes: from magesy download simple standard equalizing anywhere in the stereo field to advanced multi-band stereo widening or narrowing.

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    5533 Views
  • Stereo ParametrEQ v3.52 WiN MAC-R2R
    31 October 2018
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    Stereo ParametrEQ v3.52 WiN MAC

    Team R2R | Oct 29 2018 | WiN: 6.6 MB | MAC: 24 MB

    PLATFORM : WiN32/64 – VST/RTAS/AAX | PLATFORM : MacOSX – AU/VST/RTAS/AAX

    Stereo Parametr’EQ is a 7 bands parametric stereo equalizer based on Blue Cat’s Parametr’EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.

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    5626 Views
  • ParametrEQ v3.52 WiN MAC-R2R
    29 October 2018
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    ParametrEQ v3.52 WiN MAC

    Team R2R | 29 Oct 2018 | WiN: 9.1 MB | MAC: 46.2 MB

    PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

    Parametr’EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat’s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or “ideal” response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer.

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    4845 Views
  • Spectre v1.0.2 AAX VST x86 x64 WiN CE-V.R
    23 March 2018
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    Spectre v1.0.2 WiN

    TEAM V.R | 22 March 2018 | 5.37 MB

    (Win32/64; AAX*, VST)

    Spectre is a sound-shaping tool that combines the best features of an enhancer coupled with a graphical parametric equaliser. Spectre processes the difference between the input signal and the EQ signal, introducing harmon ic content to just the part of the spectrum that you want from magesy download a variety of saturation algorithms based  on classic recording hardware.Spectre can be used on individual tracks, sub-mixes, the entire mix and is ideal for mastering.

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    4668 Views
  • Fidelity EQ v1.0.0 AU VST VST3 x86 x64 WiN MAC
    26 October 2017
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    Fidelity EQ v1.0.0 WiN MAC

    P2P | 26.10.2017 | MAC: 10.45 MB | WiN: 6.43 MB

    AU VST VST3 x86 x64

    Strengthen you audio signal with Fidelity EQ. Our 7 Band Parametric Equalizer is perfect for mixing and mastering, to sculpt your records and give life to your songs. Equalization is a key skill for a music producer and the better your tools the better your sounds. This Parametric EQ is packed with handy features to help you make better decisions when equying any track. We have also included a bunch of presets so that you will have a base to start tackling your mix channels. We started this project thinking “hey, lets make a equalizer… it does not seem too complicated!” We were wrong. It is complicated but we managed to make this equalizer with a great sound and with a nice looking interface. We use it in every production that we do now and let me tell you our sounds are getting better every day. Yours can too…

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    3906 Views
  • Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX-Kleen
    11 December 2015
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    Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX

    Kleen | 10 Dec 2015 | AU VST RTAS | 17MB

    Blue Cat’s Stereo Parametr’EQ is a 7 bands parametric stereo equalizer based on Blue Cat’s Parametr’EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.

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    4222 Views
  • GSXL4070 Parametric Equalizer VST WiN
    15 April 2015
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    GSXL4070 Parametric Equalizer VST WiN

    HY2ROG3N | 15.04.2015 | 6.5 MB

    GSXL4070 is a new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ’s), but it still has a very intense, rich and significant sound. GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each band. Ideal for mixing and mastering purposes. For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used. – British mix-console EQ “solid state electronics” style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.

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    5338 Views


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