Episodes Full Collection
P2P | 17 April 2016 | 1.05 GB
Episodes for now from 1 to 41… + Bonus Grab Bags Vol.1 & Vol.2
Maschine 1.8 and 2.0 project files for remake….
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Maschine 1.8 and 2.0 project files for remake….
Ample Guitar SC aim to bring a Fender Stratocaster 50th Anniversary Guitar sound to your studio.
NI Razor is a totally different beast, this amazing additive synthesizer allows you to create complex and especially unique refreshing sounds using just sine waves. First let’s dive in to the main controls and concepts so that we have a clear understanding of what this synth can do. Additive synthesis is very different from all the other forms of sound design since it uses only sine waves to build more complex waves.
FreaQ is an uniquely designed analog mixing desk style equalizer. Featuring super smooth analog low and high shelf filters, 2 fully parametric bell filters and 2 adjustable low pass / high pass filters, FreaQ has everything you need to shape your instruments the way you want them.
Nightmares & WinterShootouts contains 87 chops for instant loading and flipping! Dark themed sample pack with colder samples, soul sample chops, rare chops & more! – Compatible with DAW systems & Hardware (Logic, Reason, Ableton, FL Studio, Protools, Native Instruments MASCHINE, Akai MPC Renaissance & Akai MPC Touch)
Learn how to play jazz piano. Join Grammy-winning keyboardist George Whitty as he helps you get started as a jazz pianist. George helps you tackle the F7 blues, so that you can quickly start playing a recognizable jazz line. He also discusses the importance of time in jazz, as well as scales—in particular, bop scales—that keep you in sync with the harmony in a unique way. In addition, George covers using approach patterns and comping with your left hand with guide tones.
This SDX expansion for Superior Drummer 2 features the original recording that was used as the foundation for arguably the most popular set of metal drum sounds on the market; the Metal Machine EZX. What makes it different from the EZX version is that the SDX sounds are raw and without post-processing, meaning the source material recorded directly at the studio. It comes with fundamentally the same collection of instruments but includes a wider variety of mic selections as well as a custom bank of kit presets. The sessions were conducted at Studio B of Los Angeles’ Henson Recording Studios. Formerly known as the A&M Studios, these landmark facilities have housed the who’s-who of the recording industry of the past few decades. Heavy acts like Metallica, Soundgarden, Kiss, Pearl Jam and many others have all mixed or recorded groundbreaking works here. At the helm recording, a man that needs no introduction to the world of metal; Andy Sneap. Having produced and mixed defining albums by some of modern metal’s most priced acts like Testament, Megadeth, Accept and Killswitch Engage, Sneap has had an instrumental role in shaping the sound of metal as we know it in the new millennium.