MicroHammer OverTone Flute KONTAKT

TEAM AudioP2P/DYNAMiCS | 04.2010 | 629 MB

The Bamboo Overtone flute is like a little sibling to the Eastern European, Fujara. However the flute is distinctively different and almost human like in the sense it only has two holes. The flute is played by muting the bottom of the flute with your palm and bending the note. The overtones are generated by playing softer or harder in the flute and actually allows it to spand over four octaves. The sound is best described as ethnic/ethereal, but with that very distinct overtone charm to it. We sampled the hell out of it by multi-sampling the overtones in sustains and staccato and by doing over +350 BPM (80-140) based phrases on top of this and with additional FX sections.

OverTone DSP Plug-in Bundle v11.01.2016 WiN OSX LiNUX

P2P | 11.01.2016 | 155.87 MB

AU VST AAX VST3 x86 x64

AF2-10M v2.4.3 VST x86 x64 WiN

P2P | 08-09-2015 | 500 KB

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.

OverTone Plugins Pack 2015.05.12

WiN MAC LiNUX

TEAM R2R | 2015.05.12 | WiN: 17.37 MB | MAC: 14.38 MB | LiNUX: 18.01 MB

Styled as virtual 500-Series format modules, the bundle includes the EQ500 and DYN500, channel EQ and dynamics VST plugins. The DYN500 provides soft-knee compression, and a gentle ‘tape saturation’ style overdrive when driven at high levels. The EQ500 provides a versatile three band parametric EQ, using our Analogue Filter Modelling algorithms to accurately replicate a natural sounding analogue filter response without requiring high sample rates or CPU intensive upsampling, allowing more plugin instances in a typical DAW. The FC70 emulates the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter. Modelled using measured data and schematics from genuine hardware, the FC70 uses a fully balanced design, combined with innovative delay-free feedback topology to emulate the original circuitry. The sidechain includes the fast attack and program dependent release settings of the original, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

AF2-10 v2.2.0 WiN MAC LiNUX

TEAM R2R 2015.02.26 | WiN: 2.73 MB | MAC: 2.32 MB | LiNUX: 3.89 MB

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.

OverTone Plugins Pack 2014.11.16

 WiN MAC LiNUX

TEAM R2R 2014.11.16 | WiN: | 19.47 MB MAC: 19.31 MB | LiNUX: 25.68 MB

Styled as virtual 500-Series format modules, the bundle includes the EQ500 and DYN500, channel EQ and dynamics VST plugins. The DYN500 provides soft-knee compression, and a gentle ‘tape saturation’ style overdrive when driven at high levels. The EQ500 provides a versatile three band parametric EQ, using our Analogue Filter Modelling algorithms to accurately replicate a natural sounding analogue filter response without requiring high sample rates or CPU intensive upsampling, allowing more plugin instances in a typical DAW. The FC70 emulates the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter. Modelled using measured data and schematics from genuine hardware, the FC70 uses a fully balanced design, combined with innovative delay-free feedback topology to emulate the original circuitry. The sidechain includes the fast attack and program dependent release settings of the original, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

Good Stuff Audio Didgeridoo And Overtone CDDA

Team: CoBaLT | Date: 06.17.03 | Size: 407,84 MB

Didgeridoo & Overtone Dance Collection is from Swiss company Good Stuff Audio (GSA). The official line is “The main aim of this project was to produce a top quality selection of usable didgeridoo and other overtone instruments samples to meet today’s high standards of recording. Incorporating as many elements of the didgeridoo as possible, this CD basically provides a virtual Didgeridoo session player. Along with the extensive library of pumping Didge grooves, an impressive selection of rare ethnic world instruments has been added such as Jaws Harp, Fluyara, Overtone singing and a mixture of rare ethnic drum grooves.