• PTC-2A v3.0.2 WiN MAC LiNUX-R2R
    June 13th, 2021 ⚡
    Categories:

    PTC-2A v3.0.2 WiN MAC LiNUX-R2R

    PTC-2A v3.0.2 WiN MAC LiNUX

    Team R2R | 04.10.2020 | WiN: 3.3 MB | OSX: 7.03 MB | LiNUX: 3.53 MB

    AU/VST/VST3/AAX/x86/x64

    Vintage EQ Emulation

    The PTC-2A is an emulation inspired by one of the most sought-after vintage EQs. Separate boost and attenuate controls allow simultaneous low frequency boost and cut, sculpting the signature sound, while a transformer-coupled valve / tube amplifier emulation further enhances the vintage qualities. V3.0.0 includes feature additions such as circular, relative and linear control modes, together with more flexible and consistent user interface resizing across different formats and extensive internal framework improvements…


    Viewed 4341 By Music Producers & DJ´s.


  • PTM-5A v3.0.2 AU VST VST3 AAX WiN MAC LiNUX-R2R

    PTM-5A v3.0.2 WiN MAC LiNUX

    Team R2R | 04.10.2020| WiN: 3.09 MB | OSX: 6.25 MB | LiNUX: 3.20 MB

    Vintage Pultec Mid Range EQ Plug-in

    Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.


    Viewed 4863 By Music Producers & DJ´s.


  • EQ500-Series v3.0.0 WiN MAC LiNUX-R2R

    EQ500 Series v3.0.0 WiN MAC LiNUX

    TEAM R2R | 04.10.2020 | WiN: 3.10 MB | MAC: 4.89 MB | LiNUX: 2.65 MB

    AU/VST/VST3/AAX/x86/x64

    A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.


    Viewed 3819 By Music Producers & DJ´s.


  • DYN500 v3.0.0 WiN MAC LiNUX-R2R
    June 13th, 2021 ⚡
    Categories:

    DYN500 v3.0.0 WiN MAC LiNUX-R2R

    DYN500 v3.0.0 WiN MAC LiNUX

    R2R | 2020.10.04 | WiN: 2.99 MB | MAC: 4.68 MB | LiNUX: 3.62 MB

    AU/VST/VST3/AAX/x86/x64

    A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.


    Viewed 4732 By Music Producers & DJ´s.


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    AF2-10 Bundle v2.4.9 WiN MAC LiNUX

    Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

    WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

    A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.


    Viewed 4687 By Music Producers & DJ´s.


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