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  • OverTone DSP VTE-2A v1.0.7 WiN-R2R
    September 15th, 2021 ⚡MaGeSY®
    Categories: VST, WiNDOWS, x64, x86

    OverTone DSP VTE-2A v1.0.7 WiN-R2R

    VTE-2A v1.0.7 WiN

    Team R2R | 2012.08.13 | 2.63 MB

    PLATFORM: WiN32 – VST, WiN64 – VST

    The VTE-2A Vintage EQ available now for Windows XP / 7 is based on innovative DSP technology originally developed by linuxDSP for the popular CH-EQ2B. Modelled on some of the classic analogue EQ designs, it features innovative DSP technology which provides a de-cramped mid range filter with a more analogue characteristic than conventional digital filters without requiring CPU intensive upsampling.



    Viewed 24851 By Music Producers.


    • PTM-5A v3.0.2 AU VST VST3 AAX WiN MAC LiNUX-R2R
      June 13th, 2021 ⚡MaGeSY®
      Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS

      PTM-5A v3.0.2 AU VST VST3 AAX WiN MAC LiNUX-R2R

      PTM-5A v3.0.2 WiN MAC LiNUX

      Team R2R | 04.10.2020| WiN: 3.09 MB | OSX: 6.25 MB | LiNUX: 3.20 MB

      Vintage Pultec Mid Range EQ Plug-in

      Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.



      Viewed 53822 By Music Producers.


      • EQ500-Series v3.0.0 WiN MAC LiNUX-R2R
        June 13th, 2021 ⚡MaGeSY®
        Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

        EQ500-Series v3.0.0 WiN MAC LiNUX-R2R

        EQ500 Series v3.0.0 WiN MAC LiNUX

        TEAM R2R | 04.10.2020 | WiN: 3.10 MB | MAC: 4.89 MB | LiNUX: 2.65 MB

        AU/VST/VST3/AAX/x86/x64

        A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.



        Viewed 37845 By Music Producers.


        • DYN500 v3.0.0 WiN MAC LiNUX-R2R
          June 13th, 2021 ⚡MaGeSY®
          Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

          DYN500 v3.0.0 WiN MAC LiNUX-R2R

          DYN500 v3.0.0 WiN MAC LiNUX

          R2R | 2020.10.04 | WiN: 2.99 MB | MAC: 4.68 MB | LiNUX: 3.62 MB

          AU/VST/VST3/AAX/x86/x64

          A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.



          Viewed 52481 By Music Producers.


          • RVB500 v2.3.x WiN MAC LiNUX-R2R
            October 17th, 2018 ⚡MaGeSY®
            Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

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            RVB500 v2.3.x WiN MAC LiNUX

            TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

            AU/VST/VST3/AAX/x86/x64

            A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.



            Viewed 22423 By Music Producers.


            • Overtone v1.0.1 AU AAX VST VST3 WiN MAC
              February 25th, 2017 ⚡MaGeSY®
              Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x86

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              Overtone v1.0.1 WiN MAC

              P2P | 25.02.2017 | 18 MB

              AU AAX VST VST3 x86 x64

              Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.



              Viewed 15644 By Music Producers.

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              • AF2-10 Bundle v2.4.9 AU VST WiN MAC LiNUX-R2R
                February 16th, 2017 ⚡MaGeSY®
                Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

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                AF2-10 Bundle v2.4.9 WiN MAC LiNUX

                Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

                WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

                A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



                Viewed 19931 By Music Producers.


                • MicroHammer OverTone Flute KONTAKT-AudioP2P
                  April 6th, 2016 ⚡MaGeSY®

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                  MicroHammer OverTone Flute KONTAKT

                  TEAM AudioP2P/DYNAMiCS | 04.2010 | 629 MB

                  The Bamboo Overtone flute is like a little sibling to the Eastern European, Fujara. However the flute is distinctively different and almost human like in the sense it only has two holes. The flute is played by muting the bottom of the flute with your palm and bending the note. The overtones are generated by playing softer or harder in the flute and actually allows it to spand over four octaves. The sound is best described as ethnic/ethereal, but with that very distinct overtone charm to it. We sampled the hell out of it by multi-sampling the overtones in sustains and staccato and by doing over +350 BPM (80-140) based phrases on top of this and with additional FX sections.



                  Viewed 16187 By Music Producers.


                  • OverTone DSP Plug-in Bundle v11.01.2016 WiN OSX LiNUX
                    January 12th, 2016 ⚡MaGeSY®
                    Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

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                    OverTone DSP Plug-in Bundle v11.01.2016 WiN OSX LiNUX

                    P2P | 11.01.2016 | 155.87 MB

                    AU VST AAX VST3 x86 x64



                    Viewed 22563 By Music Producers.


                    • Overtone AF2-10M Stereo Graphical EQ V2.4.3 x86 x64 WiN
                      September 8th, 2015 ⚡MaGeSY®
                      Categories: VST, WiNDOWS, x64, x86

                      image

                      AF2-10M v2.4.3 VST x86 x64 WiN

                      P2P | 08-09-2015 | 500 KB

                      A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



                      Viewed 14122 By Music Producers.



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