VTE-2A v1.0.7 WiN

Team R2R | 2012.08.13 | 2.63 MB

PLATFORM: WiN32 – VST, WiN64 – VST

The VTE-2A Vintage EQ available now for Windows XP / 7 is based on innovative DSP technology originally developed by linuxDSP for the popular CH-EQ2B. Modelled on some of the classic analogue EQ designs, it features innovative DSP technology which provides a de-cramped mid range filter with a more analogue characteristic than conventional digital filters without requiring CPU intensive upsampling.

PTM-5A v3.0.2 WiN MAC LiNUX

Team R2R | 04.10.2020| WiN: 3.09 MB | OSX: 6.25 MB | LiNUX: 3.20 MB

Vintage Pultec Mid Range EQ Plug-in

Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.

EQ500 Series v3.0.0 WiN MAC LiNUX

TEAM R2R | 04.10.2020 | WiN: 3.10 MB | MAC: 4.89 MB | LiNUX: 2.65 MB

AU/VST/VST3/AAX/x86/x64

A natural sounding, versatile, analogue filter modelled EQ, economical with CPU and system resources. Digital EQ no longer has to sound digital. The EQ500 plug-in emulates all the desirable qualities of a professional analogue channel equalizer, while the elegantly simple design makes adding texture and colour – or taming problem frequencies – both intuitive and instinctive. Styled as a virtual 500-series module, the EQ500 uses innovative analogue filter modelling to open up the response and accurately replicate the more natural sound of analogue designs, without additional latency or high CPU demand. More efficient use of CPU and system resources allows more plug-in instances in a typical audio workstation project.

DYN500 v3.0.0 WiN MAC LiNUX

R2R | 2020.10.04 | WiN: 2.99 MB | MAC: 4.68 MB | LiNUX: 3.62 MB

AU/VST/VST3/AAX/x86/x64

A flexible, console grade channel compressor with analogue warmth and character. The DYN500 plug-in emulates all the desirable qualities of a professional analogue channel compressor, taming dynamics without restricting the natural character of a mix or performance. Styled as a virtual 500-series module, the DYN500 provides soft-knee compression coupled with a gentle tape-saturation overdrive for warmth and character at high signal levels. Just like the best analogue gear, the harder you hit it, the better it sounds. Designed as a ‘one in every channel’ compressor / dynamics plug-in, the DYN500 can be used in mono or stereo channels, delivering professional console grade processing, with efficient use of CPU and system resources. More efficient use of CPU resources allows more plug-in instances in a typical audio workstation project.

RVB500 v2.3.x WiN MAC LiNUX

TEAM R2R | 17.10.2018 | WiN: 2.60 MB | MAC: 4.0 MB | LiNUX: 2.99 MB

AU/VST/VST3/AAX/x86/x64

A stereo plate reverb plug-in capable of a rich variety of effects, with intuitive controls and efficient use of CPU and system resources. The RVB500 plug-in algorithmically emulates a mechanical plate reverb, still regarded as a mainstay of many recording studios, for a diverse range of effects including drum enhancement or vocal ambience – while complementing more complex or resource intensive convolution models. Economical with system resources, the RVB500 is ideal for classic reverb effects while still leaving sufficient power available for the most complex audio workstation projects. Intuitive controls including a sub-sample resolution pre-delay, variable time and damping, coupled with virtual reverb plate transducer amplifiers for enhanced harmonic drive at high levels and a Wet-only switch, for use on a dedicated reverb buss, enable a wide variety of processing options.

Overtone v1.0.1 WiN MAC

P2P | 25.02.2017 | 18 MB

AU AAX VST VST3 x86 x64

Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.

AF2-10 Bundle v2.4.9 WiN MAC LiNUX

Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.