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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • dearVR Pro v1.2.2 WiN MAC-R2R
    February 15th, 2019 ⚡
    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x86

    Magesy

    dearVR Pro v1.2.2 WiN MAC

    Team R2R | 15 Feb 2019 | WiN: 98.6 MB | MAC: 66.52 MB

    PLATFORMS : WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

    Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.



    Viewed 8977 By Music Producers.

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    • Multiplicity v1.0.0 WiN MAC-R2R
      February 15th, 2019 ⚡
      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x86

      image

      Multiplicity v1.0.0 WiN MAC

      TEAM R2R | 15 February 2019 | WiN: 4 MB | MAC: 3.4 MB

      PLATFORMS: WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

      Multiplicity: A step forward for precision mastering. Multiband compression, expansion, gating, dynamic EQ, the lot. Whether repairing or enhancing a signal, Multiplicity gives you a degree of control that isn’t possible with anything else.



      Viewed 4570 By Music Producers.


      • G8 Dynamic Gate v1.3.0 AU 64Bit MAC-DDP
        February 12th, 2019 ⚡
        Categories: AU, macOS

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        G8 Dynamic Gate v1.3.0 MAC

        DDP | 12 February 2019 | 5.5 MB

        AU, 64Bit

        G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’. Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.



        Viewed 5632 By Music Producers.

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        • Shepherd v1.0.0 WiN MAC-R2R
          February 11th, 2019 ⚡
          Categories: AU, macOS, VSTi, WiNDOWS, x64, x86

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          Shepherd v1.0.0 WiN MAC

          TEAM R2R | 09.02.2019 | WiN: 10 MB | MAC: 19 MB

          PLATFORM : WiN32/64 – VSTi | MacOSX – AU/VSTi

          It’s hard to imagine a generation of musicians inspired by re-makes of the instruments and sounds that the previous generation is now nostalgic for. Or we’d all still be playing the harpsichord. Or whatever came before the harpsichord.



          Viewed 3157 By Music Producers.

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          • Vocal King v1.2 AU VST2 VST3 x86 x64 WiN MAC-R2R
            February 7th, 2019 ⚡
            Categories: AU, macOS, VST, VST3, WiNDOWS, x64, x86

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            Vocal King v1.2 WiN MAC

            TEAM R2R | 07.02.2019 | WiN: 6.9 MB | MAC: 6.8 MB

            PLATFORM : WiN32/64 – VST/VST3 | MacOSX – AU/VST/VST3

            The pres compressor knob is the main work horse of the Vocal King. Turning the pres knob up turns up the gain and brings out the presence in the vocal along with giving it a smooth compression. Low cut, tighten, and bass works with the pres compressor to help take out the mud without making the vocal sound too thin. The crispy knob give highs some sparkle that many will find satisfying. Final compressor gives that extra compression to the vocal to make it sound thick. DB output turns the volume down. Use the power switch to quickly hear the difference between dry and processed. A, B, C, D, modes, I will let you find out what that means. The meters show gain reduction after signal is past 0db.



            Viewed 10552 By Music Producers.


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