Midnight Plugin Suite v1.7 WiN MAC

TEAM R2R | Oct 13 2016 | WiN+OSX: 24 MB

Description: Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use. Now you can add that authentic, classic Focusrite sound to your own tracks at a price you can afford. Your productions have never sounded so good. The Midnight modules deliver incredible power, flexibility and a gorgeous sound that launched a thousand hits. If you’re looking to take your tracks to the next level, you need the best: in the past, maybe that step was beyond your reach. But now the power to give your productions that extra edge is within your grasp. Step into Midnight, from Focusrite. And don’t look back.

Soul Magic EXPANSiON

Team DECiBEL | 06 Feb 2021 | 1.19GB

50 YEARS OF SOUL

SOUL MAGIC captures half a century of ubiquitous sounds from a genre that runs deep through modern music. Add its flavor to modern productions with saturated, swinging 60s kits, funky 70s bass, 80s synth stylings, and 90s neo-soul sounds. Discover era-defining drums, live bass and guitar licks, quintessential vocal cuts, characterful keys, and diverse instrumentations that capture the essence of soul music down the decades to the present day.

EBusLim v1.4.1 WiN MAC

Team R2R | 9 August 2020 | WiN: 6.8 MB | OSX: 15.6 MB

EBusLim is a brickwall peak limiter and loudness maximization AAX, AudioUnit and VST plugin for professional streaming, sound and music production applications. EBusLim implements a single EL-4-based limiter mode originally designed in Elephant mastering limiter plug-in. This mode is suitable for bus, drum bus, master bus and track processing. The design idea behind EBusLim is to produce an extremely easy-to-use yet effective limiter. Since EBusLim only features a single processing mode the processing latency was reduced down to 0.5 milliseconds permitting the use of this limiter as master bus overload protector for both stereo and multi-channel real-time applications.

LinPlug RMV v5.1.5 WiN MAC

TEAM R2R | 2015.02.06 | WiN: 36.94 MB | MAC: 16.63 MB

The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine. RMV Drum Addiction Drum Synthesizer, Drum Sampler, Audio Loop Slicer and Drum Librarian for Windows. RMV is the result of many years of investigation and programming and a huge step forward from its predecessor, the RM IV.

CRTIV Reverb v2.2 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.9 MB | OSX: 14.3 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Reverb is a stereo reverberation effect AAX, AU and VST plugin for professional music production applications. This reverb plug-in provides a wide palette of reverb spaces while requiring only a minimal effort to use. The tails created by this reverb are very dense and produce a well-defined spatialization. Since the reverb uses a kind of “true stereo” algorithm the panned sounds receive a good stereo field placement.

CRTIV TapeBus v1.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.3 MB | OSX: 17.4 MB

(AU, VST, VST3, AAX*, x86, x64)

CRTIV Tape Bus plug-in for professional music production applications recreates characteristic elements of the reel-to-reel tape sound. This includes saturation, modulation noise and smearing effects which are known for the “analog” feel they bring to audio recordings. This plug-in also applies a selected impulse response taken by us from the existing tape machines.

Deft Compressor v1.10 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.2 MB | OSX: 17.2 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve on both attack and release stages. S-curve timing function also helps compressor to sound “warm” and “clean” at most settings. While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to “smash” audio signal if you use attack settings as low as 0.1 millisecond. Deft Compressor also features a so called “vintage” compression mode which produces compression sound reminiscent of analog valve compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.