Soloist KONTAKT

OSHiE | 28 March 2024 | 3.71 GB

LO-BIT 70TIES ORCHESTRA WORKSTATION

Sampled from a re-capped well maintained vintage Soloist. But be warned : Just like the original, it is not for everybody’s taste. It is a non-polite grispy and grumpy thing. Originally designed as a tool to quickly emulate different instruments, like cello, brass, piano, violins and fuzz guitar. It has 30 presets, but many of them sounds more or less alike. So we slimmed it down to the 19 best sounding ones. This synth possesses a distinct, assertive, and crispy character. Our most inspiring sessions have been when we fervently relied solely on sounds from the Soloist, allowing the sounds themselves to take the lead! A monophonic analog synthesizer introduced in 1972. With its many presets sounds, including Flute, Bassoon, Brass, Fuzz Guitar, and more, this synth offers a nostalgic and lo-bit sonic palette.

Lair v1.0.0 WiN MAC

OSHiE | 01 June 2024 | 48 MB

Decoded from a diskette of unknown origin, Lair is a transporter through when and where, retooled as a reverberation effect. Combining three bespoke reverberator devices with an expansive collection of intricate parameters and chaotic modifiers, Lair is your door to familiar, abominable, and alien worlds.

Shadow Strings KONTAKT

OSHiE | 30 May 2024 | 2.21 GB

Welcome to Shadow Strings, a darker side of the cello that can add suspense, mystery, and a sense of uniqueness to any of your compositions. Created by cello player and professional virtual instrument maker Ben Osterhouse (Osterhouse Sounds), this ground-breaking Kontakt sample library pushes the boundaries of traditional cello sounds to offer a rich tapestry of unconventional textures and effects. When recording sample libraries, you want to capture the best sounds from an instrument. You try to have clean starts and stops, an expressive tone, and balanced dynamics across every sample. With all this in mind, it can be difficult to keep a spontaneous, fresh feel to the samples. It can turn into a chore. The goal during planning and development this library was to avoid as much chore-like recording. Everything is played with abandon, then heavily curated and edited later to highlight the best moments.

Rekombinator III KONTAKT

OSHiE | 04 June 2024 | 152 MB

Introducing ReKombinator III: The Upgraded Kontakt Instrument for Sound Designers If you’re a sound designer looking for a powerful and flexible tool to create unique soundscapes and textures, ReKombinator III is the perfect instrument for you. With its advanced modulator and effects sections and support for sample drag’n’drop, it offers endless possibilities for creative exploration.

Antagone v1.3 WiN MAC

OSHiE | 19 May 2024 | 7.24 MB

Antagone is a dual delay plugin designed to turn incoming sounds into glitchy chaos. this is a complete rewrite of the now discontinued bucephal plugin first released in 2012. while all the audio processing has been rewritten from scratch (and a few features added such as damping filters in the delay feedback paths), antagone tries to stay close to the original bucephal effect. geared towards sound design, antagone packs several modulators, various mixing combinations for the delay lines, multiple saturation options for the output signal as well as a flexible randomizer section.

Dust Engine#1 KONTAKT

OSHiE | 11 January 2024 | 650 MB

DUST ENGINE #1 is a delicious selection of hand-knitted sounds from classic hardware synths and modern gadgets for hybrid do-it-yourself gorgeousness. It’s great for rich, lush and grubby pads, deep, really deep unctuous subs and bright gnarled keys and plucks. Inside the easy-to-use interface are 3 cunningly curated, interlocking articulations (4 including the crackle generator) plus 2 randomizers for instant gratification and handy FX to quickly build the perfect sound for your sonic universe.

Replicant 3 v3.0.9

OSHiE | 08 May 2024 | 136 MB

What Is Audio Damage Replicant 3? Audio Damage Replicant 3 is a powerful delay and glitch effect plugin that offers endless creative possibilities for music producers and sound designers. With its intuitive interface, advanced features, and seamless integration with popular DAWs, Replicant 3 is a must-have tool for anyone looking to add unique textures and rhythms to their music. Audio Damage has established itself as a top player in the world of audio effects plugins, and the release of Audio Damage Replicant 3 is no exception. Available on MaGeSY®, MaGeSY R-EVOLUTiON®, MaGeSY PRO®, and MaGeSYPRO® websites, Replicant 3 offers a wide range of creative sound design possibilities using unique glitch effects and stutter edits. The plugin is designed with an easy-to-use interface, allowing users to quickly dive into the creative process and start experimenting with various parameters. Replicant 3 features two main modes, Rhythm Mode and Classic Mode, catering to different styles of sound design. Rhythm Mode is perfect for creating glitchy rhythms and intricate stutter effects, while Classic Mode is designed for more traditional delay and repeater effects.