Vac Attack v1.0.1 WiN

Team R2R | 19 March 2024 | 46.1 MB

Smooth optical compression for tracks and groups

Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.

Comp LA v1.0.6 macOS

MORiA | 13.02.2023 | 246.44 MB

(STANDALONE, AU, VST3, VST)

Comp LA is the revolutionary simulation of two legendary optical compressors into a single plug-in. The 2A version is tube-based and delivers a warmer, harmonically rich tone. The 3A version is solid-state based and has a faster attack, cleaner tone.

OptoRED v2.0.0 WiN

MOCHA | 02 July 2023 | 7.21 MB

PLATFORMS: WiN64 – AAX, VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

Comp LA v1.0.7 WiN MAC

Team R2R | 24 September 2023 | WiN: 185.0MB | MAC: 259.3MB

WiN64 – EXE/VST/VST3/AAX | MAC: APP/AU/VST/VST3/AAX

Comp LA is the revolutionary simulation of two legendary optical compressors into a single plug-in. The 2A version is tube-based and delivers a warmer, harmonically rich tone. The 3A version is solid-state based and has a faster attack, cleaner tone.

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

OptoRED v1.4.0 macOS

SPTNDC | May 26 2021| 25.11 MB

PLATFORMS: AAX/AU/VST3/64Bit

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

Synth Explorer Pro One MULTiFORMAT

FANTASTiC | 24 April 2016 | 897 MB

Synth Explorer: Pro One’ carries on this series of Royalty Free loops and one shot samples that pay tribute to the legendry synthesisers and drum machines that have inspired generations of electronic music producers from the early electronic revolution right up to the current day. Released in 1981, the Sequential Circuits Pro One landed at a time where polyphonic analogue synths were flavour of the month. But this was no ordinary monosynth. What made the Pro-One so revolutionary was the incredible modulation matrix which offered unparalleled sonic possibilities. Add to that 2 monster VCOs, a powerful 4-pole lowpass filter, 2 ADSRs, audio input, glide, pitch bend, a built-in 2 pattern sequencer and an arpeggiator, then you have a sonic powerhouse, rightly regarded as one of the greatest synths ever made.