DTE is a homemade unit built by myself that simulates a vintage tube tape machine with a mastering tube compressor and a tube saturator stage built in. Class A design, real tape and head circuitry digitally controlled.
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 30 presets. Library size is 714 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. A beautiful mastering EQ that can add oomph to your drum bus. This is a cutting edge library guaranteed to make your mixes sound less digital. You will be amazed at how someone had placed a sock over your digital files. Sampled at the highest sampling rate available to date in Nebula Libraries and delivered at that rate. Native 192 khz sampling and also 96 khz available. Designed to work best at 96 khz. This means you need to be patient as the libraries load and resample internally. Don’t worry, the quality will speak for itself. You will be amazed at the improved transient response.
Overdriven cassette tape effects. Compression, distortion- saturation. Six unique effects. 3 of them used additional processing and hardware to add to the tape effect. 3 of them were sampled in stereo. All 6 were sampled and are presented as ‘compressor style’ programs, with thresh, attack, and release controls. To give the effects more versatility, additional attack/release behaviors were taken from actual compressors and melded with these effects. The additional attack/release times allow these programs to be used like compressor programs to some degree, but they also allow you to shape the saturation/distortion effect. It’s like a hybrid of a saturated tape sound with compressor controls, and the tape is cassette so there is definitely a lo-fi sound.
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 40 presets. Library size is 1.3 GB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. This is an independent mono sampling of the famous compressor ubiquitous on so many 60s and later albums. 14 transformers and 20 tubes make this a beast of a compressor. It is almost impossible to buy nowadays – unless you have a cool $ 50 000 lying around. Stories abound of old studios literally dumping them in skips when solid state became popular. Many replicas exist but this is a sampling of the real deal. Mostly very subtle samplings of one of the few remaining original and well maintained versions of this piece of audio recording history. Own it now and possess that sound in the box. N.B – I have not sampled this as a compressor but a PRE for it’s sonic signature.
Full commercial package size is 272 MB.9 Presets. Provided at 192 khz, 96 khz and 44 khz. Please note that these require a fully licensed Nebula Pro license to enjoy. This sampling is part of the Microphone Locker Series – a series that allows you to add the sonics of highly desired microphones. Three Mics from this Audio maker. The 4031,4033 and 4050.
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 9 presets. Library size is 215MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. A compressor with pure valvey tones. This package made me quite emotional when I first set it up and heard it for the first time. It has a lovely warmth that screams tubes all over it. If you want a vocal, pianos, a mix or anything to sound smoother warmer and more musical in the mid range this guy just makes music PERIOD. I kind of felt deflated when I pressed the bypass mode.
🎹💻🥇🔊🎶🌏🎼❤️🔥
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