Behemoth For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 156.74 KB

Based on a custom analog/digital chain that is intended to “clean-up” low end while mostly intensifying lower level harmonic content. Although primarily aimed at low level low-mid frequency content, subtle higher details are also brought to the forefront. The purpose here is to hopefully bring about fuller and more forward sounding program material albeit in a non-traditional sense of compression or dynamic control.

So Transcited for Nebula 3

Team MAGNETRiXX | 10 February 2014 | 153 MB

Based on a custom analog chain that detects transient information. This preset can then grow harmonic content based on the transients. This is a psychoacoustic tool and can be used for sculpting a sound like an EQ but while an EQ boosts what’s there, So Transcited adds to what’s there. With virtually the same output, using a natural consequence of saturation, it can make percussion sound dense, louder, and exciting. Of course, it can be experimented on other instruments.

AlexB Vintage Synth Filters KRG for Nebula 3

Team SYNTHiC4TE | Feb 07 2014 | 140.9 MB

KRG It was one of “K” first major successful portable analog monosynths and even today it is still a great little machine! In addition to two analog oscillators, it featured two resonant VCFs (voltage controlled filters). The VCF section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. It makes a great alternative for MMG. KRG sounds fat, round, punch and percussive. The circuit has been refurbished.

AlexB Vintage MPeQ for Nebula 3

Team SYNTHiC4TE | Feb 04 2014 | 436.5 MB

The bassy EQ

Designed in the ’70 era by Moog, this rare 2 unit rack is a clean parametric equalizer and it is revered even today for its performance and quality, especially on electric bass, synth bass, electric guitars, synthesizers and voice. The line amp has a drive knob which gives harmonic saturation up to 10dB, the bell filters allow to cut and boost to over 20dB. The programs: Carefully sampled @96kHz and @44.1kHz in a professional recording studio with hi-quality audio and digital cables and master grade converters with audio levels perfectly matched and calibrated. They are precisely programmed without normalizing or other destructive digital processing. The programs don’t sound processed, harsh or digital as most plugins do, but instead sound like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.

AlexB Fenix for Nebula 3

Team SYNTHiC4TE | Feb 04 2014 | 60.7 MB

Creamy VariMU Compressor

Anyone who has ever wanted the ultimate tube compressor that can bring a vocal forward, add a little air, hold the dynamics in place and add a size and dimension to the audio without that audio getting cloudy has realized their wildest dream!! This compressor personifies all that is good and right with tube compressors that actually use the tube in the gain reduction circuit. Two compressors sampled here: Mixing and Mastering from last release 12/2011, the Mastering unit has Mullard and Siemens tubes.