For the mastering engineer, a multi-band compressor is a powerful tool. But a multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor. Use it to shape your mix with clarity and definition that no regular compressor could ever provide.
“DYNASAUR” is the best helper to tame your annoying frequencies. Dynamically ride your EQ or shape your sound with pure static EQ. Use it as de-esser, multi-band compressor or peak rider!
The low band offers +-15 dB at 60 or 120 Hz for making your kick drums knock and your bass guitars thunder. Keep your low end in check with a switchable 50 Hz high-pass filter. Add brilliance and air to your recordings with the high band, which offers +-15 dB at 8 kHz or 12 kHz – perfect for acoustic guitars and cymbals.
Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage). Type A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artefacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.
For the mastering engineer, a multi-band compressor is a powerful tool. But as Spiderman’s uncle Ben famously says: with great power comes great responsibility. A multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor (IMP).
You can easily enhance or create depth in a track with the quick and easily accessible controls and you don’t have to worry that you push it too hard since whatever you do with Skyline you can’t break the mono-compatibility. Skyline consists of three main controls, Spread, Pan and Width. ‘Spread’ will either enhance the ambiance by using the information in the difference channel and spread it out in the stereo-field, or use the information from the sum-channel and spread that out in the stereo-field. The latter is great if you want to up-mix a mono-file to stereo. ‘Pan’ will pan the audio in the selected band and ‘Width’ will either boost the sum or the difference by 2dB without touching the other channel. Watch the video, preferable with headphones to get an idea of this little gem.
HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.
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