Get Bigger, Better Mixes TUTORiAL

P2P | 10 August 2015 | 1.32 GB

In this 3 part tutorial course, Echo Sound Works shows you how to use Serial Processing to make your mixes sound bigger and better. Serial Processing is a technique that can really help improve a mix. The idea centers around using multiple similar effects, like 2 compressor or 2 EQ’s, on the same track. This course discusses the three main reasons why you would want to use some Serial Processing and more specifically, Serial Compression.

Improve Your Funk Mixes TUTORiAL

SYNTHiC4TE | August 29 2017 | 865 MB

Learn how to mix a funky pop record from start to finish including levels, EQ, compression, effects and more. Includes multitracks for practice.

Logic Pro X: Get Professional Mixes on Your Instrumentals

ilfsn | 29.08.2017 | 3.69 GB

3 Hours + Project Source File

If you want to get pro mixes on your beats and you use Logic Pro X, then please continue reading. One of the leading causes of missed opportunities in music production is having a bad mix, wether you’re competing at a beat battle, submitting music for a placement opportunity, or selling your music in person or online to an independent recording artist. And if you’ve been struggling to achieve success in these areas it might be that you need to improve your mixing skills. I was once in your shoes, a music producer with great talent in the area of creating beats, but lacking in the area of mixing my beats. I would send my beats to an artist or manager and would get the same response, “you need to work on your mix!”. So thats what I did. But like you, it became very frustrating searching online for the answers, simply because all of the information was either incomplete or scattered. So after many years and even getting a degree in Recording Arts, I finally found a way to make sure that my mixes are on point, and after you take this course you will too.

How To Make Your Mixes Louder TUTORiAL

SYNTHiC4TE | Oct 03 2016 | 5.71 GB

Mixing loud music that sounds clean and pleasing to the ear is one of the biggest mysteries in music production. Loudness is one of the more complex issues in a mix because loudness is perceived by the ear, it isn’t a finite measurement. In this course, learn how to get louder mixes every time with a proven process to getting mixes that are commercially loud, full and still dynamic. This comprehensive course is around 5 hours long and goes into great depth to explain just what loudness really is, why it matters and how you can make your own music play loud and clear.

RnB and Hip Hop Mixing Session TUTORiAL

SYNTHiC4TE | April 12 2016 | 2.18 GB

Learn from Grammy Winner Bob Horn as he walks us through his recent R&B and Hip Hop mixes. This is an excellent session where Bob Horn leaves nothing out and dives deep into a variety of creative mixing techniques that he uses on three great songs. You will get to see everything he does from the moment he receives the track to the finishing touches he makes before delivering the final mix. Bob begins by showing us how he organizes his sessions and continues by showcasing a variety of plug-ins while explaining their purpose within the mix. His breakdown consists of every instrument used, but tends to focus on the vocals, which are the focal points of these R&B and Hip Hop tracks. Bob also covers the effects he uses on his master bus, demonstrates parallel master bus processing, and reveals a variety of other creative techniques he used throughout his notable career.

Mixing and Mastering in the Box TUTORiAL

English | 2014 | 318 pages | PDF | 5.59 MB

The Guide to Making Great Mixes and Final Masters on Your Computer

Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples.