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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Microphone Soul WAV-DiSCOVER
    June 1st, 2020 ⚡
    Categories: Audio Samples, WAV

    Microphone Soul WAV-DiSCOVER

    Microphone Soul WAV

    DiSCOVER | May/31Th/2020 | 511 MB

    (Female Vocal Loops)

    The ear is trained to pay attention to vocal sounds above all else, which is precisely why nailing your lead hook can be so vital to creating that next chart smash. It’s also why we’re delighted to present our first ever library of seriously soulful vocal sounds, Microphone Soul – Female Vocal Loops! Introducing the stellar vocal talents of Sian Chandler, who graced the ModeAudio studio to record this shimmering, 517MB set of royalty-free vocal hooks and samples, primed and ready to steal the show at the very heart of your next track. The main body of the release is made up of 116 key and tempo-synchronised vocal loops, spanning lilting Downtempo lead melodies, bright, powerful Pop choruses, swooning, serene R&B hooks, drifting Chill Out verses and beyond.



    Viewed 4579 By Music Producers.


    • MTA All Plugins Pack 2016.12.24 VST VST3 WiN-R2R
      July 4th, 2019 ⚡
      Categories: VST, VST3, WiNDOWS

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      MTA All Plugins Pack 2016 WiN

      TEAM R2R | 24.12.2016 | 5.52 MB

      Guitar EQ, Room EQ, Headphone EQ, Microphone EQ…



      Viewed 5752 By Music Producers.


      • Microphone Techniques: Essentials TUTORiAL
        June 5th, 2019 ⚡
        Categories: TUTORiALS

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        Microphone Techniques: Essentials

        Team BiFiSO | 04 Jun 2019 | 696.6MB

        Everyone who works with recorded audio and music needs to know how to work a mic. You should also be able to identify the right mic for each recording scenario, whether you’re given an existing toolkit of mics, preamps, and stands or bringing your own gear along, and place and adjust mics for optimum sound. This course is the place to hone your skills. Instructor Bill Gibson is a professor at Berklee College of Music, and has been recording, producing, performing and writing music for more than 35 years. In this course, he covers the most common mic types, applications, and patterns—so that you can make the right choice for your specific recording situation.



        Viewed 2893 By Music Producers.


        • Double MS v1.0 AAX AU VST3 x64 WiN MAC-R2R
          February 15th, 2019 ⚡
          Categories: AAX, AU, macOS, VST3, x64

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          Double MS v1.0 WiN MAC

          Team R2R | 15 Feb 2019 | WiN: 4.3 MB | MAC: 3.32 MB

          PLATFORM: WiN64 – VST3/AAX(MODiFiED) | MacOSX – AU/VST3

          Decode Double-MS Microphone Setups in Post Production

          This plugin is calibrated for the Double M/S Microphone, but it will also work with any other Double M/S Mic Setup. It will provide optimal results only on tracks that have been recorded with a 3-microphone (Double M/S) setup. The “Double MS Tool” plugin decodes the three signals of the Double MS system. It creates a 5.0 Surround signal on the basis of three microphone signals. The plugin enables customized, intuitive decoding on a realtime WYSIWYG basis. With the plugin the spatial and timbral fidelity of the resulting 5.0 Surround signal can be optimally achieved.



          Viewed 3927 By Music Producers.


          • Microphone Preamps Explained TUTORiAL-SYNTHiC4TE
            August 28th, 2017 ⚡
            Categories: TUTORiALS

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            Microphone Preamps Explained TUTORiAL

            SYNTHiC4TE | August 27 2017 | 676 MB

            New to recording with Microphone Preamps? Not sure of the differences between a $100 preamp and a $1000 preamp? Well pull up a seat and hang out with Scottie Dugan and Brian Zieske, as they show you everything you need to know to get started with using microphone preamps! This series is designed for those who never used a microphone preamp before, and want to know about all the common features and controls found on mic pres, as well as how to set them up. It also touches on how the components and circuit design varies between units, and gives some sonic examples between an inexpensive “all-in-one” mic pre / audio interface and more expensive stand alone mic pres. It’s not a mic-pre “shoot out” however, and we chose the MOTU because there are so many out in the field, and the others because they are studio staples.



            Viewed 2335 By Music Producers.


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